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1 @c This is part of the Emacs manual.
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2 @c Copyright (C) 1985, 86, 87, 93, 94, 95, 1997 Free Software Foundation, Inc.
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3 @c See file emacs.texi for copying conditions.
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4 @node Frames, International, Windows, Top
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5 @chapter Frames and X Windows
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6 @cindex frames
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7
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8 When using the X Window System, you can create multiple windows at the
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9 X level in a single Emacs session. Each X window that belongs to Emacs
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10 displays a @dfn{frame} which can contain one or several Emacs windows.
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11 A frame initially contains a single general-purpose Emacs window which
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12 you can subdivide vertically or horizontally into smaller windows. A
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13 frame normally contains its own echo area and minibuffer, but you can
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14 make frames that don't have these---they use the echo area and
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15 minibuffer of another frame.
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16
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17 Editing you do in one frame also affects the other frames. For
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18 instance, if you put text in the kill ring in one frame, you can yank it
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19 in another frame. If you exit Emacs through @kbd{C-x C-c} in one frame,
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20 it terminates all the frames. To delete just one frame, use @kbd{C-x 5
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21 0}.
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22
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23 To avoid confusion, we reserve the word ``window'' for the
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24 subdivisions that Emacs implements, and never use it to refer to a
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25 frame.
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26
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27 Emacs compiled for MS-DOS emulates some aspects of the window system
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28 so that you can use many of the features described in this chapter.
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29 @xref{MS-DOS Input}, for more information.
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30
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31 @menu
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32 * Mouse Commands:: Moving, cutting, and pasting, with the mouse.
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33 * Secondary Selection:: Cutting without altering point and mark.
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34 * Mouse References:: Using the mouse to select an item from a list.
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35 * Menu Mouse Clicks:: Mouse clicks that bring up menus.
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36 * Mode Line Mouse:: Mouse clicks on the mode line.
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37 * Speedbar:: How to make and use a speedbar frame.
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38 * Creating Frames:: Creating additional Emacs frames with various contents.
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39 * Multiple Displays:: How one Emacs job can talk to several displays.
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40 * Special Buffer Frames:: You can make certain buffers have their own frames.
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41 * Frame Parameters:: Changing the colors and other modes of frames.
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42 * Scroll Bars:: How to enable and disable scroll bars; how to use them.
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43 * Menu Bars:: Enabling and disabling the menu bar.
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44 * Faces:: How to change the display style using faces.
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45 * Font Lock:: Minor mode for syntactic highlighting using faces.
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46 * Support Modes:: Font Lock support modes make Font Lock faster.
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47 * Highlight Changes:: Using colors to show where you changed the buffer.
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48 * Misc X:: Iconifying and deleting frames. Region highlighting.
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49 * Non-Window Terminals:: Multiple frames on terminals that show only one.
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50 @end menu
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51
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52 @node Mouse Commands
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53 @section Mouse Commands for Editing
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54 @cindex mouse buttons (what they do)
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55
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56 The mouse commands for selecting and copying a region are mostly
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57 compatible with the @code{xterm} program. You can use the same mouse
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58 commands for copying between Emacs and other X client programs.
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59
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60 @kindex DELETE
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61 If you select a region with any of these mouse commands, and then
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62 immediately afterward type the @key{DELETE} function key, it deletes the
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63 region that you selected. The @key{BACKSPACE} function key and the
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64 ASCII character @key{DEL} do not do this; if you type any other key
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65 in between the mouse command and @key{DELETE}, it does not do this.
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66
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67 @findex mouse-set-region
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68 @findex mouse-set-point
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69 @findex mouse-yank-at-click
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70 @findex mouse-save-then-click
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71 @kindex Mouse-1
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72 @kindex Mouse-2
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73 @kindex Mouse-3
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74 @table @kbd
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75 @item Mouse-1
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76 Move point to where you click (@code{mouse-set-point}).
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77 This is normally the left button.
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78
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79 @item Drag-Mouse-1
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80 Set the region to the text you select by dragging, and copy it to the
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81 kill ring (@code{mouse-set-region}). You can specify both ends of the
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82 region with this single command.
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83
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84 @vindex mouse-scroll-min-lines
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85 If you move the mouse off the top or bottom of the window while
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86 dragging, the window scrolls at a steady rate until you move the mouse
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87 back into the window. This way, you can select regions that don't fit
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88 entirely on the screen. The number of lines scrolled per step depends
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89 on how far away from the window edge the mouse has gone; the variable
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90 @code{mouse-scroll-min-lines} specifies a minimum step size.
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91
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92 @item Mouse-2
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93 Yank the last killed text, where you click (@code{mouse-yank-at-click}).
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94 This is normally the middle button.
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95
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96 @item Mouse-3
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97 This command, @code{mouse-save-then-kill}, has several functions
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98 depending on where you click and the status of the region.
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99
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100 The most basic case is when you click @kbd{Mouse-1} in one place and
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101 then @kbd{Mouse-3} in another. This selects the text between those two
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102 positions as the region. It also copies the new region to the kill
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103 ring, so that you can copy it to someplace else.
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104
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105 If you click @kbd{Mouse-1} in the text, scroll with the scroll bar, and
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106 then click @kbd{Mouse-3}, it remembers where point was before scrolling
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107 (where you put it with @kbd{Mouse-1}), and uses that position as the
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108 other end of the region. This is so that you can select a region that
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109 doesn't fit entirely on the screen.
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110
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111 More generally, if you do not have a highlighted region, @kbd{Mouse-3}
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112 selects the text between point and the click position as the region. It
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113 does this by setting the mark where point was, and moving point to where
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114 you click.
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115
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116 If you have a highlighted region, or if the region was set just before
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117 by dragging button 1, @kbd{Mouse-3} adjusts the nearer end of the region
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118 by moving it to where you click. The adjusted region's text also
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119 replaces the old region's text in the kill ring.
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120
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121 If you originally specified the region using a double or triple
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122 @kbd{Mouse-1}, so that the region is defined to consist of entire words
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123 or lines, then adjusting the region with @kbd{Mouse-3} also proceeds by
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124 entire words or lines.
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125
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126 If you use @kbd{Mouse-3} a second time consecutively, at the same place,
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127 that kills the region already selected.
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128
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129 @item Double-Mouse-1
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130 This key sets the region around the word which you click on. If you
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131 click on a character with ``symbol'' syntax (such as underscore, in C
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132 mode), it sets the region around the symbol surrounding that character.
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133
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134 If you click on a character with open-parenthesis or close-parenthesis
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135 syntax, it sets the region around the parenthetical grouping (sexp)
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136 which that character starts or ends. If you click on a character with
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137 string-delimiter syntax (such as a singlequote or doublequote in C), it
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138 sets the region around the string constant (using heuristics to figure
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139 out whether that character is the beginning or the end of it).
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140
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141 @item Double-Drag-Mouse-1
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142 This key selects a region made up of the words you drag across.
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143
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144 @item Triple-Mouse-1
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145 This key sets the region around the line you click on.
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146
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147 @item Triple-Drag-Mouse-1
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148 This key selects a region made up of the lines you drag across.
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149 @end table
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150
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151 The simplest way to kill text with the mouse is to press @kbd{Mouse-1}
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152 at one end, then press @kbd{Mouse-3} twice at the other end.
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153 @xref{Killing}. To copy the text into the kill ring without deleting it
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154 from the buffer, press @kbd{Mouse-3} just once---or just drag across the
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155 text with @kbd{Mouse-1}. Then you can copy it elsewhere by yanking it.
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156
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157 @vindex mouse-yank-at-point
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158 To yank the killed or copied text somewhere else, move the mouse there
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159 and press @kbd{Mouse-2}. @xref{Yanking}. However, if
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160 @code{mouse-yank-at-point} is non-@code{nil}, @kbd{Mouse-2} yanks at
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161 point. Then it does not matter where you click, or even which of the
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162 frame's windows you click on. The default value is @code{nil}. This
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163 variable also affects yanking the secondary selection.
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164
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165 @cindex cutting and X
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166 @cindex pasting and X
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167 @cindex X cutting and pasting
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168 To copy text to another X window, kill it or save it in the kill ring.
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169 Under X, this also sets the @dfn{primary selection}. Then use the
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170 ``paste'' or ``yank'' command of the program operating the other window
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171 to insert the text from the selection.
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172
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173 To copy text from another X window, use the ``cut'' or ``copy'' command
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174 of the program operating the other window, to select the text you want.
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175 Then yank it in Emacs with @kbd{C-y} or @kbd{Mouse-2}.
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176
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177 These cutting and pasting commands also work on MS-Windows.
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178
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179 @cindex primary selection
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180 @cindex cut buffer
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181 @cindex selection, primary
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182 @vindex x-cut-buffer-max
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183 When Emacs puts text into the kill ring, or rotates text to the front
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184 of the kill ring, it sets the @dfn{primary selection} in the X server.
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185 This is how other X clients can access the text. Emacs also stores the
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186 text in the cut buffer, but only if the text is short enough
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187 (@code{x-cut-buffer-max} specifies the maximum number of characters);
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188 putting long strings in the cut buffer can be slow.
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189
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190 The commands to yank the first entry in the kill ring actually check
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191 first for a primary selection in another program; after that, they check
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192 for text in the cut buffer. If neither of those sources provides text
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193 to yank, the kill ring contents are used.
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194
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195 @node Secondary Selection
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196 @section Secondary Selection
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197 @cindex secondary selection
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198
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199 The @dfn{secondary selection} is another way of selecting text using
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200 X. It does not use point or the mark, so you can use it to kill text
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201 without setting point or the mark.
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202
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203 @table @kbd
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204 @findex mouse-set-secondary
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205 @kindex M-Drag-Mouse-1
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206 @item M-Drag-Mouse-1
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207 Set the secondary selection, with one end at the place where you press
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208 down the button, and the other end at the place where you release it
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209 (@code{mouse-set-secondary}). The highlighting appears and changes as
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210 you drag.
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211
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212 If you move the mouse off the top or bottom of the window while
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213 dragging, the window scrolls at a steady rate until you move the mouse
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214 back into the window. This way, you can mark regions that don't fit
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215 entirely on the screen.
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216
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217 @findex mouse-start-secondary
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218 @kindex M-Mouse-1
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219 @item M-Mouse-1
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220 Set one endpoint for the @dfn{secondary selection}
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221 (@code{mouse-start-secondary}).
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222
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223 @findex mouse-secondary-save-then-kill
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224 @kindex M-Mouse-3
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225 @item M-Mouse-3
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226 Make a secondary selection, using the place specified with @kbd{M-Mouse-1}
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227 as the other end (@code{mouse-secondary-save-then-kill}). A second click
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228 at the same place kills the secondary selection just made.
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229
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230 @findex mouse-yank-secondary
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231 @kindex M-Mouse-2
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232 @item M-Mouse-2
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233 Insert the secondary selection where you click
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234 (@code{mouse-yank-secondary}). This places point at the end of the
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235 yanked text.
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236 @end table
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237
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238 Double or triple clicking of @kbd{M-Mouse-1} operates on words and
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239 lines, much like @kbd{Mouse-1}.
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240
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241 If @code{mouse-yank-at-point} is non-@code{nil}, @kbd{M-Mouse-2}
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242 yanks at point. Then it does not matter precisely where you click; all
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243 that matters is which window you click on. @xref{Mouse Commands}.
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244
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245 @node Mouse References
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246 @section Following References with the Mouse
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247 @kindex Mouse-2 @r{(selection)}
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248
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249 Some Emacs buffers display lists of various sorts. These include
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250 lists of files, of buffers, of possible completions, of matches for
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251 a pattern, and so on.
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252
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253 Since yanking text into these buffers is not very useful, most of them
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254 define @kbd{Mouse-2} specially, as a command to use or view the item you
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255 click on.
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256
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257 For example, if you click @kbd{Mouse-2} on a file name in a Dired
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258 buffer, you visit that file. If you click @kbd{Mouse-2} on an error
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259 message in the @samp{*Compilation*} buffer, you go to the source code
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260 for that error message. If you click @kbd{Mouse-2} on a completion in
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261 the @samp{*Completions*} buffer, you choose that completion.
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262
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263 You can usually tell when @kbd{Mouse-2} has this special sort of
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264 meaning because the sensitive text highlights when you move the mouse
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265 over it.
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266
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267 @node Menu Mouse Clicks
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268 @section Mouse Clicks for Menus
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269
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270 Mouse clicks modified with the @key{CTRL} and @key{SHIFT} keys
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271 bring up menus.
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272
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273 @kindex C-Mouse-3
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274 @table @kbd
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275 @item C-Mouse-1
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276 This menu is for selecting a buffer.
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277
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278 @item C-Mouse-2
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279 This menu is for specifying faces and other text properties
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280 for editing formatted text. @xref{Formatted Text}.
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281
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282 @item C-Mouse-3
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283 This menu is mode-specific. For most modes, this menu has the same
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284 items as all the mode-specific menu-bar menus put together. Some modes
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285 may specify a different menu for this button.@footnote{Some systems use
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286 @kbd{Mouse-3} for a mode-specific menu. We took a survey of users, and
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287 found they preferred to keep @kbd{Mouse-3} for selecting and killing
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288 regions. Hence the decision to use @kbd{C-Mouse-3} for this menu.}
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289
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290 @item S-mouse-1
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291 This menu is for specifying the frame's principal font.
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292 @end table
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293
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294 @node Mode Line Mouse
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295 @section Mode Line Mouse Commands
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296
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297 You can use mouse clicks on window mode lines to select and manipulate
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298 windows.
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299
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300 @table @kbd
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301 @item Mouse-1
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302 @kbd{Mouse-1} on a mode line selects the window above. By dragging
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303 @kbd{Mouse-1} on the mode line, you can move it, thus changing the
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304 height of the windows above and below.
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305
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306 @item Mouse-2
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307 @kbd{Mouse-2} on a mode line expands that window to fill its frame.
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308
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309 @item Mouse-3
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310 @kbd{Mouse-3} on a mode line deletes the window above.
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311
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312 @item C-Mouse-2
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313 @kbd{C-Mouse-2} on a mode line splits the window above
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314 horizontally, above the place in the mode line where you click.
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315 @end table
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316
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317 @kbd{C-Mouse-2} on a scroll bar splits the corresponding window
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318 vertically. @xref{Split Window}.
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319
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320 @node Creating Frames
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321 @section Creating Frames
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322 @cindex creating frames
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323
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324 @kindex C-x 5
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325 The prefix key @kbd{C-x 5} is analogous to @kbd{C-x 4}, with parallel
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326 subcommands. The difference is that @kbd{C-x 5} commands create a new
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327 frame rather than just a new window in the selected frame (@pxref{Pop
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328 Up Window}). If an existing visible or iconified frame already displays
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329 the requested material, these commands use the existing frame, after
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330 raising or deiconifying as necessary.
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331
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332 The various @kbd{C-x 5} commands differ in how they find or create the
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333 buffer to select:
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334
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335 @table @kbd
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336 @item C-x 5 2
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337 @kindex C-x 5 2
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338 @findex make-frame-command
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339 Create a new frame (@code{make-frame-command}).
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340 @item C-x 5 b @var{bufname} @key{RET}
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341 Select buffer @var{bufname} in another frame. This runs
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342 @code{switch-to-buffer-other-frame}.
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343 @item C-x 5 f @var{filename} @key{RET}
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344 Visit file @var{filename} and select its buffer in another frame. This
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345 runs @code{find-file-other-frame}. @xref{Visiting}.
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346 @item C-x 5 d @var{directory} @key{RET}
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347 Select a Dired buffer for directory @var{directory} in another frame.
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348 This runs @code{dired-other-frame}. @xref{Dired}.
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349 @item C-x 5 m
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350 Start composing a mail message in another frame. This runs
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351 @code{mail-other-frame}. It is the other-frame variant of @kbd{C-x m}.
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352 @xref{Sending Mail}.
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353 @item C-x 5 .
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354 Find a tag in the current tag table in another frame. This runs
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355 @code{find-tag-other-frame}, the multiple-frame variant of @kbd{M-.}.
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356 @xref{Tags}.
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357 @item C-x 5 r @var{filename} @key{RET}
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358 @kindex C-x 5 r
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359 @findex find-file-read-only-other-frame
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360 Visit file @var{filename} read-only, and select its buffer in another
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361 frame. This runs @code{find-file-read-only-other-frame}.
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362 @xref{Visiting}.
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363 @end table
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364
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365 @cindex default-frame-alist
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366 @cindex initial-frame-alist
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367 You can control the appearance of new frames you create by setting the
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368 frame parameters in @code{default-frame-alist}. You can use the
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369 variable @code{initial-frame-alist} to specify parameters that affect
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370 only the initial frame. @xref{Initial Parameters,,, elisp, The Emacs
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371 Lisp Reference Manual}, for more information.
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372
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373 @cindex font (default)
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374 The easiest way to specify the principal font for all your Emacs
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375 frames is with an X resource (@pxref{Font X}), but you can also do it by
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376 modifying @code{default-frame-alist} to specify the @code{font}
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377 parameter, as shown here:
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378
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379 @example
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380 (add-to-list 'default-frame-alist '(font . "10x20"))
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381 @end example
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382
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383 @node Speedbar
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384 @section Making and Using a Speedbar Frame
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385 @cindex speedbar
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386
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387 An Emacs frame can have a @dfn{speedbar}, which is a vertical window
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388 that serves as a scrollable menu of files you could visit and tags
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389 within those files. To create a speedbar, type @kbd{M-x speedbar}; this
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390 creates a speedbar window for the selected frame. From then on, you can
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391 click on a file name in the speedbar to visit that file in the
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392 corresponding Emacs frame, or click on a tag name to jump to that tag in
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393 the Emacs frame.
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394
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395 Initially the speedbar lists the immediate contents of the current
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396 directory, one file per line. Each line also has a box, @samp{[+]} or
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397 @samp{<+>}, that you can click on with @kbd{Mouse-2} to ``open up'' the
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398 contents of that item. If the line names a directory, opening it adds
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399 the contents of that directory to the speedbar display, underneath the
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400 directory's own line. If the line lists an ordinary file, opening it up
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401 adds a list of the tags in that file to the speedbar display. When a
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402 file is opened up, the @samp{[+]} changes to @samp{[-]}; you can click
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403 on that box to ``close up'' that file (hide its contents).
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404
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405 Some major modes, including Rmail mode, Info, and GUD, have
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406 specialized ways of putting useful items into the speedbar for you to
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407 select. For example, in Rmail mode, the speedbar shows a list of Rmail
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408 files, and lets you move the current message to another Rmail file by
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409 clicking on its @samp{<M>} box.
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410
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411 A speedbar belongs to one Emacs frame, and always operates on that
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412 frame. If you use multiple frames, you can make a speedbar for some or
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413 all of the frames; type @kbd{M-x speedbar} in any given frame to make a
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414 speedbar for it.
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415
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416 @node Multiple Displays
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417 @section Multiple Displays
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418 @cindex multiple displays
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419
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420 A single Emacs can talk to more than one X Windows display.
|
|
421 Initially, Emacs uses just one display---the one specified with the
|
|
422 @code{DISPLAY} environment variable or with the @samp{--display} option
|
|
423 (@pxref{Initial Options}). To connect to another display, use the
|
|
424 command @code{make-frame-on-display}:
|
|
425
|
|
426 @findex make-frame-on-display
|
|
427 @table @kbd
|
|
428 @item M-x make-frame-on-display @key{RET} @var{display} @key{RET}
|
|
429 Create a new frame on display @var{display}.
|
|
430 @end table
|
|
431
|
|
432 A single X server can handle more than one screen. When you open
|
|
433 frames on two screens belonging to one server, Emacs knows they share a
|
|
434 single keyboard, and it treats all the commands arriving from these
|
|
435 screens as a single stream of input.
|
|
436
|
|
437 When you open frames on different X servers, Emacs makes a separate
|
|
438 input stream for each server. This way, two users can type
|
|
439 simultaneously on the two displays, and Emacs will not garble their
|
|
440 input. Each server also has its own selected frame. The commands you
|
|
441 enter with a particular X server apply to that server's selected frame.
|
|
442
|
|
443 Despite these features, people using the same Emacs job from different
|
|
444 displays can still interfere with each other if they are not careful.
|
|
445 For example, if any one types @kbd{C-x C-c}, that exits the Emacs job
|
|
446 for all of them!
|
|
447
|
|
448 @node Special Buffer Frames
|
|
449 @section Special Buffer Frames
|
|
450
|
|
451 @vindex special-display-buffer-names
|
|
452 You can make certain chosen buffers, for which Emacs normally creates
|
|
453 a second window when you have just one window, appear in special frames
|
|
454 of their own. To do this, set the variable
|
|
455 @code{special-display-buffer-names} to a list of buffer names; any
|
|
456 buffer whose name is in that list automatically gets a special frame,
|
|
457 when an Emacs command wants to display it ``in another window.''
|
|
458
|
|
459 For example, if you set the variable this way,
|
|
460
|
|
461 @example
|
|
462 (setq special-display-buffer-names
|
|
463 '("*Completions*" "*grep*" "*tex-shell*"))
|
|
464 @end example
|
|
465
|
|
466 @noindent
|
|
467 then completion lists, @code{grep} output and the @TeX{} mode shell
|
|
468 buffer get individual frames of their own. These frames, and the
|
|
469 windows in them, are never automatically split or reused for any other
|
|
470 buffers. They continue to show the buffers they were created for,
|
|
471 unless you alter them by hand. Killing the special buffer deletes its
|
|
472 frame automatically.
|
|
473
|
|
474 @vindex special-display-regexps
|
|
475 More generally, you can set @code{special-display-regexps} to a list
|
|
476 of regular expressions; then a buffer gets its own frame if its name
|
|
477 matches any of those regular expressions. (Once again, this applies only
|
|
478 to buffers that normally get displayed for you in a separate window.)
|
|
479
|
|
480 @vindex special-display-frame-alist
|
|
481 The variable @code{special-display-frame-alist} specifies the frame
|
|
482 parameters for these frames. It has a default value, so you don't need
|
|
483 to set it.
|
|
484
|
|
485 For those who know Lisp, an element of
|
|
486 @code{special-display-buffer-names} or @code{special-display-regexps}
|
|
487 can also be a list. Then the first element is the buffer name or
|
|
488 regular expression; the rest of the list specifies how to create the
|
|
489 frame. It can be an association list specifying frame parameter values;
|
|
490 these values take precedence over parameter values specified in
|
|
491 @code{special-display-frame-alist}. Alternatively, it can have this
|
|
492 form:
|
|
493
|
|
494 @example
|
|
495 (@var{function} @var{args}...)
|
|
496 @end example
|
|
497
|
|
498 @noindent
|
|
499 where @var{function} is a symbol. Then the frame is constructed by
|
|
500 calling @var{function}; its first argument is the buffer, and its
|
|
501 remaining arguments are @var{args}.
|
|
502
|
|
503 An analogous feature lets you specify buffers which should be
|
|
504 displayed in the selected window. @xref{Force Same Window}. The
|
|
505 same-window feature takes precedence over the special-frame feature;
|
|
506 therefore, if you add a buffer name to
|
|
507 @code{special-display-buffer-names} and it has no effect, check to see
|
|
508 whether that feature is also in use for the same buffer name.
|
|
509
|
|
510 @node Frame Parameters
|
|
511 @section Setting Frame Parameters
|
|
512 @cindex colors
|
|
513 @cindex Auto-Raise mode
|
|
514 @cindex Auto-Lower mode
|
|
515
|
|
516 This section describes commands for altering the display style and
|
|
517 window management behavior of the selected frame.
|
|
518
|
|
519 @findex set-foreground-color
|
|
520 @findex set-background-color
|
|
521 @findex set-cursor-color
|
|
522 @findex set-mouse-color
|
|
523 @findex set-border-color
|
|
524 @findex auto-raise-mode
|
|
525 @findex auto-lower-mode
|
|
526 @table @kbd
|
|
527 @item M-x set-foreground-color @key{RET} @var{color} @key{RET}
|
|
528 Specify color @var{color} for the foreground of the selected frame.
|
|
529 (This also changes the foreground color of the default face.)
|
|
530
|
|
531 @item M-x set-background-color @key{RET} @var{color} @key{RET}
|
|
532 Specify color @var{color} for the background of the selected frame.
|
|
533 (This also changes the background color of the default face.)
|
|
534
|
|
535 @item M-x set-cursor-color @key{RET} @var{color} @key{RET}
|
|
536 Specify color @var{color} for the cursor of the selected frame.
|
|
537
|
|
538 @item M-x set-mouse-color @key{RET} @var{color} @key{RET}
|
|
539 Specify color @var{color} for the mouse cursor when it is over the
|
|
540 selected frame.
|
|
541
|
|
542 @item M-x set-border-color @key{RET} @var{color} @key{RET}
|
|
543 Specify color @var{color} for the border of the selected frame.
|
|
544
|
|
545 @item M-x list-colors-display
|
|
546 Display the defined color names and show what the colors look like.
|
|
547 This command is somewhat slow.
|
|
548
|
|
549 @item M-x auto-raise-mode
|
|
550 Toggle whether or not the selected frame should auto-raise. Auto-raise
|
|
551 means that every time you move the mouse onto the frame, it raises the
|
|
552 frame.
|
|
553
|
|
554 Note that this auto-raise feature is implemented by Emacs itself. Some
|
|
555 window managers also implement auto-raise. If you enable auto-raise for
|
|
556 Emacs frames in your X window manager, it should work, but it is beyond
|
|
557 Emacs's control and therefore @code{auto-raise-mode} has no effect on
|
|
558 it.
|
|
559
|
|
560 @item M-x auto-lower-mode
|
|
561 Toggle whether or not the selected frame should auto-lower.
|
|
562 Auto-lower means that every time you move the mouse off the frame,
|
|
563 the frame moves to the bottom of the stack of X windows.
|
|
564
|
|
565 The command @code{auto-lower-mode} has no effect on auto-lower
|
|
566 implemented by the X window manager. To control that, you must use
|
|
567 the appropriate window manager features.
|
|
568
|
|
569 @findex set-frame-font
|
|
570 @item M-x set-frame-font @key{RET} @var{font} @key{RET}
|
|
571 @cindex font (principal)
|
|
572 Specify font @var{font} as the principal font for the selected frame.
|
|
573 The principal font controls several face attributes of the
|
|
574 @code{default} face (@pxref{Faces}). For example, if the principal font
|
|
575 has a height of 12 pt, all text will be drawn in 12 pt fonts, unless you
|
|
576 use another face that specifies a different height. @xref{Font X}, for
|
|
577 ways to list the available fonts on your system.
|
|
578
|
|
579 @kindex S-Mouse-1
|
|
580 You can also set a frame's principal font through a pop-up menu.
|
|
581 Press @kbd{S-Mouse-1} to activate this menu.
|
|
582 @end table
|
|
583
|
|
584 In Emacs versions that use an X toolkit, the color-setting and
|
|
585 font-setting functions don't affect menus and the menu bar, since they
|
|
586 are displayed by their own widget classes. To change the appearance of
|
|
587 the menus and menu bar, you must use X resources (@pxref{Resources X}).
|
|
588 @xref{Colors X}, regarding colors. @xref{Font X}, regarding choice of
|
|
589 font.
|
|
590
|
|
591 For information on frame parameters and customization, see @ref{Frame
|
|
592 Parameters,,, elisp, The Emacs Lisp Reference Manual}.
|
|
593
|
|
594 @node Scroll Bars
|
|
595 @section Scroll Bars
|
|
596 @cindex Scroll Bar mode
|
|
597 @cindex mode, Scroll Bar
|
|
598
|
|
599 When using X, Emacs normally makes a @dfn{scroll bar} at the left of
|
|
600 each Emacs window. The scroll bar runs the height of the window, and
|
|
601 shows a moving rectangular inner box which represents the portion of the
|
|
602 buffer currently displayed. The entire height of the scroll bar
|
|
603 represents the entire length of the buffer.
|
|
604
|
|
605 You can use @kbd{Mouse-2} (normally, the middle button) in the scroll
|
|
606 bar to move or drag the inner box up and down. If you move it to the
|
|
607 top of the scroll bar, you see the top of the buffer. If you move it to
|
|
608 the bottom of the scroll bar, you see the bottom of the buffer.
|
|
609
|
|
610 The left and right buttons in the scroll bar scroll by controlled
|
|
611 increments. @kbd{Mouse-1} (normally, the left button) moves the line at
|
|
612 the level where you click up to the top of the window. @kbd{Mouse-3}
|
|
613 (normally, the right button) moves the line at the top of the window
|
|
614 down to the level where you click. By clicking repeatedly in the same
|
|
615 place, you can scroll by the same distance over and over.
|
|
616
|
|
617 Aside from scrolling, you can also click @kbd{C-Mouse-2} in the scroll
|
|
618 bar to split a window vertically. The split occurs on the line where
|
|
619 you click.
|
|
620
|
|
621 @findex scroll-bar-mode
|
|
622 You can enable or disable Scroll Bar mode with the command @kbd{M-x
|
|
623 scroll-bar-mode}. With no argument, it toggles the use of scroll bars.
|
|
624 With an argument, it turns use of scroll bars on if and only if the
|
|
625 argument is positive. This command applies to all frames, including
|
|
626 frames yet to be created. You can use the X resource
|
|
627 @samp{verticalScrollBars} to control the initial setting of Scroll Bar
|
|
628 mode. @xref{Resources X}.
|
|
629
|
|
630 @findex toggle-scroll-bar
|
|
631 To enable or disable scroll bars for just the selected frame, use the
|
|
632 @kbd{M-x toggle-scroll-bar} command.
|
|
633
|
|
634 @node Menu Bars
|
|
635 @section Menu Bars
|
|
636 @cindex Menu Bar mode
|
|
637 @cindex mode, Menu Bar
|
|
638
|
|
639 You can turn display of menu bars on or off with @kbd{M-x
|
|
640 menu-bar-mode}. With no argument, this command toggles Menu Bar mode, a
|
|
641 minor mode. With an argument, the command turns Menu Bar mode on if the
|
|
642 argument is positive, off if the argument is not positive. You can use
|
|
643 the X resource @samp{menuBarLines} to control the initial setting of
|
|
644 Menu Bar mode. @xref{Resources X}. Expert users often turn off the
|
|
645 menu bar, especially on text-only terminals, where this makes one
|
|
646 additional line available for text.
|
|
647
|
|
648 @xref{Menu Bar}, for information on how to invoke commands with the
|
|
649 menu bar.
|
|
650
|
|
651 @node Faces
|
|
652 @section Using Multiple Typefaces
|
|
653 @cindex faces
|
|
654
|
|
655 When using Emacs with X, you can set up multiple styles of displaying
|
|
656 characters. The aspects of style that you can control are the type
|
|
657 font, the foreground color, the background color, and whether to
|
|
658 underline. Emacs on MS-DOS supports faces partially by letting you
|
|
659 control the foreground and background colors of each face
|
|
660 (@pxref{MS-DOS}).
|
|
661
|
|
662 The way you control display style is by defining named @dfn{faces}.
|
|
663 Each face can specify a type font, a foreground color, a background
|
|
664 color, and an underline flag; but it does not have to specify all of
|
|
665 them. Then by specifying the face or faces to use for a given part
|
|
666 of the text in the buffer, you control how that text appears.
|
|
667
|
|
668 The style of display used for a given character in the text is
|
|
669 determined by combining several faces. Any aspect of the display style
|
|
670 that isn't specified by overlays or text properties comes from the frame
|
|
671 itself.
|
|
672
|
|
673 Enriched mode, the mode for editing formatted text, includes several
|
|
674 commands and menus for specifying faces. @xref{Format Faces}, for how
|
|
675 to specify the font for text in the buffer. @xref{Format Colors}, for
|
|
676 how to specify the foreground and background color.
|
|
677
|
|
678 To alter the appearance of a face, use the customization buffer.
|
|
679 @xref{Face Customization}. You can also use X resources to specify
|
|
680 attributes of particular faces (@pxref{Resources X}).
|
|
681
|
|
682 @findex list-faces-display
|
|
683 To see what faces are currently defined, and what they look like, type
|
|
684 @kbd{M-x list-faces-display}. It's possible for a given face to look
|
|
685 different in different frames; this command shows the appearance in the
|
|
686 frame in which you type it. Here's a list of the standardly defined
|
|
687 faces:
|
|
688
|
|
689 @table @code
|
|
690 @item default
|
|
691 This face is used for ordinary text that doesn't specify any other face.
|
|
692 @item modeline
|
|
693 This face is used for mode lines. By default, it's set up as the
|
|
694 inverse of the default face. @xref{Display Vars}.
|
|
695 @item highlight
|
|
696 This face is used for highlighting portions of text, in various modes.
|
|
697 @item region
|
|
698 This face is used for displaying a selected region (when Transient Mark
|
|
699 mode is enabled---see below).
|
|
700 @item secondary-selection
|
|
701 This face is used for displaying a secondary selection (@pxref{Secondary
|
|
702 Selection}).
|
|
703 @item bold
|
|
704 This face uses a bold variant of the default font, if it has one.
|
|
705 @item italic
|
|
706 This face uses an italic variant of the default font, if it has one.
|
|
707 @item bold-italic
|
|
708 This face uses a bold italic variant of the default font, if it has one.
|
|
709 @item underline
|
|
710 This face underlines text.
|
|
711 @end table
|
|
712
|
|
713 @cindex @code{region} face
|
|
714 When Transient Mark mode is enabled, the text of the region is
|
|
715 highlighted when the mark is active. This uses the face named
|
|
716 @code{region}; you can control the style of highlighting by changing the
|
|
717 style of this face (@pxref{Face Customization}). @xref{Transient Mark},
|
|
718 for more information about Transient Mark mode and activation and
|
|
719 deactivation of the mark.
|
|
720
|
|
721 One easy way to use faces is to turn on Font Lock mode. This minor
|
|
722 mode, which is always local to a particular buffer, arranges to
|
|
723 choose faces according to the syntax of the text you are editing. It
|
|
724 can recognize comments and strings in most languages; in several
|
|
725 languages, it can also recognize and properly highlight various other
|
|
726 important constructs. @xref{Font Lock}, for more information about
|
|
727 Font Lock mode and syntactic highlighting.
|
|
728
|
|
729 You can print out the buffer with the highlighting that appears
|
|
730 on your screen using the command @code{ps-print-buffer-with-faces}.
|
|
731 @xref{Postscript}.
|
|
732
|
|
733 @node Font Lock
|
|
734 @section Font Lock mode
|
|
735 @cindex Font Lock mode
|
|
736 @cindex mode, Font Lock
|
|
737 @cindex syntax highlighting
|
|
738
|
|
739 Font Lock mode is a minor mode, always local to a particular
|
|
740 buffer, which highlights (or ``fontifies'') using various faces
|
|
741 according to the syntax of the text you are editing. It can
|
|
742 recognize comments and strings in most languages; in several
|
|
743 languages, it can also recognize and properly highlight various other
|
|
744 important constructs---for example, names of functions being defined
|
|
745 or reserved keywords.
|
|
746
|
|
747 @findex font-lock-mode
|
|
748 @findex turn-on-font-lock
|
|
749 The command @kbd{M-x font-lock-mode} turns Font Lock mode on or off
|
|
750 according to the argument, and toggles the mode when it has no argument.
|
|
751 The function @code{turn-on-font-lock} unconditionally enables Font Lock
|
|
752 mode. This is useful in mode-hook functions. For example, to enable
|
|
753 Font Lock mode whenever you edit a C file, you can do this:
|
|
754
|
|
755 @example
|
|
756 (add-hook 'c-mode-hook 'turn-on-font-lock)
|
|
757 @end example
|
|
758
|
|
759 @findex global-font-lock-mode
|
|
760 To turn on Font Lock mode automatically in all modes which support it,
|
|
761 use the function @code{global-font-lock-mode}, like this:
|
|
762
|
|
763 @example
|
|
764 (global-font-lock-mode 1)
|
|
765 @end example
|
|
766
|
|
767 @kindex M-g M-g
|
|
768 @findex font-lock-fontify-block
|
|
769 In Font Lock mode, when you edit the text, the highlighting updates
|
|
770 automatically in the line that you changed. Most changes don't affect
|
|
771 the highlighting of subsequent lines, but occasionally they do. To
|
|
772 rehighlight a range of lines, use the command @kbd{M-g M-g}
|
|
773 (@code{font-lock-fontify-block}).
|
|
774
|
|
775 @vindex font-lock-mark-block-function
|
|
776 In certain major modes, @kbd{M-g M-g} refontifies the entire current
|
|
777 function. (The variable @code{font-lock-mark-block-function} controls
|
|
778 how to find the current function.) In other major modes, @kbd{M-g M-g}
|
|
779 refontifies 16 lines above and below point.
|
|
780
|
|
781 With a prefix argument @var{n}, @kbd{M-g M-g} refontifies @var{n}
|
|
782 lines above and below point, regardless of the mode.
|
|
783
|
|
784 To get the full benefit of Font Lock mode, you need to choose a
|
|
785 default font which has bold, italic, and bold-italic variants; or else
|
|
786 you need to have a color or gray-scale screen.
|
|
787
|
|
788 @vindex font-lock-maximum-decoration
|
|
789 The variable @code{font-lock-maximum-decoration} specifies the
|
|
790 preferred level of fontification, for modes that provide multiple
|
|
791 levels. Level 1 is the least amount of fontification; some modes
|
|
792 support levels as high as 3. The normal default is ``as high as
|
|
793 possible.'' You can specify an integer, which applies to all modes, or
|
|
794 you can specify different numbers for particular major modes; for
|
|
795 example, to use level 1 for C/C++ modes, and the default level
|
|
796 otherwise, use this:
|
|
797
|
|
798 @example
|
|
799 (setq font-lock-maximum-decoration
|
|
800 '((c-mode . 1) (c++-mode . 1)))
|
|
801 @end example
|
|
802
|
|
803 @vindex font-lock-maximum-size
|
|
804 Fontification can be too slow for large buffers, so you can suppress
|
|
805 it. The variable @code{font-lock-maximum-size} specifies a buffer size,
|
|
806 beyond which buffer fontification is suppressed.
|
|
807
|
|
808 @c @w is used below to prevent a bad page-break.
|
|
809 @vindex font-lock-beginning-of-syntax-function
|
|
810 Comment and string fontification (or ``syntactic'' fontification)
|
|
811 relies on analysis of the syntactic structure of the buffer text. For
|
|
812 the purposes of speed, some modes including C mode and Lisp mode rely on
|
|
813 a special convention: an open-parenthesis in the leftmost column always
|
|
814 defines the @w{beginning} of a defun, and is thus always outside any string
|
|
815 or comment. (@xref{Defuns}.) If you don't follow this convention,
|
|
816 then Font Lock mode can misfontify the text after an open-parenthesis in
|
|
817 the leftmost column that is inside a string or comment.
|
|
818
|
|
819 The variable @code{font-lock-beginning-of-syntax-function} (always
|
|
820 buffer-local) specifies how Font Lock mode can find a position
|
|
821 guaranteed to be outside any comment or string. In modes which use the
|
|
822 leftmost column parenthesis convention, the default value of the variable
|
|
823 is @code{beginning-of-defun}---that tells Font Lock mode to use the
|
|
824 convention. If you set this variable to @code{nil}, Font Lock no longer
|
|
825 relies on the convention. This avoids incorrect results, but the price
|
|
826 is that, in some cases, fontification for a changed text must rescan
|
|
827 buffer text from the beginning of the buffer.
|
|
828
|
|
829 @findex font-lock-add-keywords
|
|
830 Font Lock highlighting patterns already exist for many modes, but you
|
|
831 may want to fontify additional patterns. You can use the function
|
|
832 @code{font-lock-add-keywords}, to add your own highlighting patterns for
|
|
833 a particular mode. For example, to highlight @samp{FIXME:} words in C
|
|
834 comments, use this:
|
|
835
|
|
836 @example
|
|
837 (font-lock-add-keywords
|
|
838 'c-mode
|
|
839 '(("\\<\\(FIXME\\):" 1 font-lock-warning-face t)))
|
|
840 @end example
|
|
841
|
|
842 @node Support Modes
|
|
843 @section Font Lock Support Modes
|
|
844
|
|
845 Font Lock support modes make Font Lock mode faster for large buffers.
|
|
846 There are two support modes: Fast Lock mode and Lazy Lock mode. They
|
|
847 use two different methods of speeding up Font Lock mode.
|
|
848
|
|
849 @menu
|
|
850 * Fast Lock Mode:: Saving font information in files.
|
|
851 * Lazy Lock Mode:: Fontifying only text that is actually displayed.
|
|
852 * Fast or Lazy:: Which support mode is best for you?
|
|
853 @end menu
|
|
854
|
|
855 @node Fast Lock Mode
|
|
856 @subsection Fast Lock Mode
|
|
857
|
|
858 @cindex Fast Lock mode
|
|
859 @cindex mode, Fast Lock
|
|
860 To make Font Lock mode faster for buffers visiting large files, you
|
|
861 can use Fast Lock mode. Fast Lock mode saves the font information for
|
|
862 each file in a separate cache file; each time you visit the file, it
|
|
863 rereads the font information from the cache file instead of refontifying
|
|
864 the text from scratch.
|
|
865
|
|
866 @findex fast-lock-mode
|
|
867 The command @kbd{M-x fast-lock-mode} turns Fast Lock mode on or off,
|
|
868 according to the argument (with no argument, it toggles). You can also
|
|
869 arrange to enable Fast Lock mode whenever you use Font Lock mode, like
|
|
870 this:
|
|
871
|
|
872 @example
|
|
873 (setq font-lock-support-mode 'fast-lock-mode)
|
|
874 @end example
|
|
875
|
|
876 @vindex fast-lock-minimum-size
|
|
877 It is not worth writing a cache file for small buffers. Therefore,
|
|
878 the variable @code{fast-lock-minimum-size} specifies a minimum file size
|
|
879 for caching font information.
|
|
880
|
|
881 @vindex fast-lock-cache-directories
|
|
882 The variable @code{fast-lock-cache-directories} specifies where to put
|
|
883 the cache files. Its value is a list of directories to try; @code{"."}
|
|
884 means the same directory as the file being edited. The default value is
|
|
885 @w{@code{("." "~/.emacs-flc")}}, which means to use the same directory if
|
|
886 possible, and otherwise the directory @file{~/.emacs-flc}.
|
|
887
|
|
888 @vindex fast-lock-save-others
|
|
889 The variable @code{fast-lock-save-others} specifies whether Fast Lock
|
|
890 mode should save cache files for files that you do not own. A
|
|
891 non-@code{nil} value means yes (and that is the default).
|
|
892
|
|
893 @node Lazy Lock Mode
|
|
894 @subsection Lazy Lock Mode
|
|
895 @cindex Lazy Lock mode
|
|
896 @cindex mode, Lazy Lock
|
|
897
|
|
898 To make Font Lock mode faster for large buffers, you can use Lazy Lock
|
|
899 mode to reduce the amount of text that is fontified. In Lazy Lock mode,
|
|
900 buffer fontification is demand-driven; it happens to portions of the
|
|
901 buffer that are about to be displayed. And fontification of your
|
|
902 changes is deferred; it happens only when Emacs has been idle for a
|
|
903 certain short period of time.
|
|
904
|
|
905 @findex lazy-lock-mode
|
|
906 The command @kbd{M-x lazy-lock-mode} turns Lazy Lock mode on or off,
|
|
907 according to the argument (with no argument, it toggles). You can also
|
|
908 arrange to enable Lazy Lock mode whenever you use Font Lock mode, like
|
|
909 this:
|
|
910
|
|
911 @example
|
|
912 (setq font-lock-support-mode 'lazy-lock-mode)
|
|
913 @end example
|
|
914
|
|
915 @vindex lazy-lock-minimum-size
|
|
916 It is not worth avoiding buffer fontification for small buffers.
|
|
917 Therefore, the variable @code{lazy-lock-minimum-size} specifies a
|
|
918 minimum buffer size for demand-driven buffer fontification. Buffers
|
|
919 smaller than that are fontified all at once, as in plain Font Lock mode.
|
|
920
|
|
921 @vindex lazy-lock-defer-time
|
|
922 When you alter the buffer, Lazy Lock mode defers fontification of the
|
|
923 text you changed. The variable @code{lazy-lock-defer-time} specifies
|
|
924 how many seconds Emacs must be idle before it starts fontifying your
|
|
925 changes. If the value is 0, then changes are fontified immediately, as
|
|
926 in plain Font Lock mode.
|
|
927
|
|
928 @vindex lazy-lock-defer-on-scrolling
|
|
929 Lazy Lock mode normally fontifies newly visible portions of the buffer
|
|
930 before they are first displayed. However, if the value of
|
|
931 @code{lazy-lock-defer-on-scrolling} is non-@code{nil}, newly visible
|
|
932 text is fontified only when Emacs is idle for
|
|
933 @code{lazy-lock-defer-time} seconds.
|
|
934
|
|
935 @vindex lazy-lock-defer-contextually
|
|
936 In some modes, including C mode and Emacs Lisp mode, changes in one
|
|
937 line's contents can alter the context for subsequent lines, and thus
|
|
938 change how they ought to be fontified. Ordinarily, you must type
|
|
939 @kbd{M-g M-g} to refontify the subsequent lines. However, if you set
|
|
940 the variable @code{lazy-lock-defer-contextually} to non-@code{nil}, Lazy
|
|
941 Lock mode does this automatically, after @code{lazy-lock-defer-time}
|
|
942 seconds.
|
|
943
|
|
944 @cindex stealth fontification
|
|
945 When Emacs is idle for a long time, Lazy Lock fontifies additional
|
|
946 portions of the buffer, not yet displayed, in case you will display them
|
|
947 later. This is called @dfn{stealth fontification}.
|
|
948
|
|
949 @vindex lazy-lock-stealth-time
|
|
950 @vindex lazy-lock-stealth-lines
|
|
951 @vindex lazy-lock-stealth-verbose
|
|
952 The variable @code{lazy-lock-stealth-time} specifies how many seconds
|
|
953 Emacs has to be idle before stealth fontification starts. A value of
|
|
954 @code{nil} means no stealth fontification. The variables
|
|
955 @code{lazy-lock-stealth-lines} and @code{lazy-lock-stealth-verbose}
|
|
956 specify the granularity and verbosity of stealth fontification.
|
|
957
|
|
958 @node Fast or Lazy
|
|
959 @subsection Fast Lock or Lazy Lock?
|
|
960
|
|
961 Here is a simple guide to help you choose one of the Font Lock support
|
|
962 modes.
|
|
963
|
|
964 @itemize @bullet
|
|
965 @item
|
|
966 Fast Lock mode intervenes only during file visiting and buffer
|
|
967 killing (and related events); therefore buffer editing and window
|
|
968 scrolling are no faster or slower than in plain Font Lock mode.
|
|
969
|
|
970 @item
|
|
971 Fast Lock mode is slower at reading a cache file than Lazy Lock
|
|
972 mode is at fontifying a window; therefore Fast Lock mode is slower at
|
|
973 visiting a file than Lazy Lock mode.
|
|
974
|
|
975 @item
|
|
976 Lazy Lock mode intervenes during window scrolling to fontify text that
|
|
977 scrolls onto the screen; therefore, scrolling is slower than in plain
|
|
978 Font Lock mode.
|
|
979
|
|
980 @item
|
|
981 Lazy Lock mode doesn't fontify during buffer editing (it defers
|
|
982 fontification of changes); therefore, editing is faster than in plain
|
|
983 Font Lock mode.
|
|
984
|
|
985 @item
|
|
986 Fast Lock mode can be fooled by a file that is kept under version
|
|
987 control software; therefore buffer fontification may occur even when
|
|
988 a cache file exists for the file.
|
|
989
|
|
990 @item
|
|
991 Fast Lock mode only works with a buffer visiting a file; Lazy Lock
|
|
992 mode works with any buffer.
|
|
993
|
|
994 @item
|
|
995 Fast Lock mode generates cache files; Lazy Lock mode does not.
|
|
996 @end itemize
|
|
997
|
|
998 @vindex font-lock-support-mode
|
|
999 The variable @code{font-lock-support-mode} specifies which of these
|
|
1000 support modes to use; for example, to specify that Fast Lock mode is
|
|
1001 used for C/C++ modes, and Lazy Lock mode otherwise, set the variable
|
|
1002 like this:
|
|
1003
|
|
1004 @example
|
|
1005 (setq font-lock-support-mode
|
|
1006 '((c-mode . fast-lock-mode) (c++-mode . fast-lock-mode)
|
|
1007 (t . lazy-lock-mode)))
|
|
1008 @end example
|
|
1009
|
|
1010 @node Highlight Changes
|
|
1011 @section Highlight Changes Mode
|
|
1012
|
|
1013 @findex highlight-changes-mode
|
|
1014 Use @kbd{M-x highlight-changes-mode} to enable a minor mode
|
|
1015 that uses faces (colors, typically) to indicate which parts of
|
|
1016 the buffer were changed most recently.
|
|
1017
|
|
1018 @node Misc X
|
|
1019 @section Miscellaneous X Window Features
|
|
1020
|
|
1021 The following commands let you create, delete and operate on frames:
|
|
1022
|
|
1023 @table @kbd
|
|
1024 @item C-z
|
|
1025 @kindex C-z @r{(X windows)}
|
|
1026 @findex iconify-or-deiconify-frame
|
|
1027 Iconify the selected Emacs frame (@code{iconify-or-deiconify-frame}).
|
|
1028 The normal meaning of @kbd{C-z}, to suspend Emacs, is not useful under a
|
|
1029 window system, so it has a different binding in that case.
|
|
1030
|
|
1031 If you type this command on an Emacs frame's icon, it deiconifies the frame.
|
|
1032
|
|
1033 @item C-x 5 0
|
|
1034 @kindex C-x 5 0
|
|
1035 @findex delete-frame
|
|
1036 Delete the selected frame (@code{delete-frame}). This is not allowed if
|
|
1037 there is only one frame.
|
|
1038
|
|
1039 @item C-x 5 o
|
|
1040 @kindex C-x 5 o
|
|
1041 @findex other-frame
|
|
1042 Select another frame, raise it, and warp the mouse to it so that it
|
|
1043 stays selected. If you repeat this command, it cycles through all the
|
|
1044 frames on your terminal.
|
|
1045 @end table
|
|
1046
|
|
1047 @node Non-Window Terminals
|
|
1048 @section Non-Window Terminals
|
|
1049 @cindex non-window terminals
|
|
1050 @cindex single-frame terminals
|
|
1051
|
|
1052 If your terminal does not have a window system that Emacs supports,
|
|
1053 then it can display only one Emacs frame at a time. However, you can
|
|
1054 still create multiple Emacs frames, and switch between them. Switching
|
|
1055 frames on these terminals is much like switching between different
|
|
1056 window configurations.
|
|
1057
|
|
1058 Use @kbd{C-x 5 2} to create a new frame and switch to it; use @kbd{C-x
|
|
1059 5 o} to cycle through the existing frames; use @kbd{C-x 5 0} to delete
|
|
1060 the current frame.
|
|
1061
|
|
1062 Each frame has a number to distinguish it. If your terminal can
|
|
1063 display only one frame at a time, the selected frame's number @var{n}
|
|
1064 appears near the beginning of the mode line, in the form
|
|
1065 @samp{F@var{n}}.
|
|
1066
|
|
1067 @findex set-frame-name
|
|
1068 @findex select-frame-by-name
|
|
1069 @samp{F@var{n}} is actually the frame's name. You can also specify a
|
|
1070 different name if you wish, and you can select a frame by its name. Use
|
|
1071 the command @kbd{M-x set-frame-name @key{RET} @var{name} @key{RET}} to
|
|
1072 specify a new name for the selected frame, and use @kbd{M-x
|
|
1073 select-frame-by-name @key{RET} @var{name} @key{RET}} to select a frame
|
|
1074 according to its name. The name you specify appears in the mode line
|
|
1075 when the frame is selected.
|
|
1076
|