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annotate man/screen.texi @ 36513:f022afc9cdcb
Update copyright notice.
author | Eli Zaretskii <eliz@gnu.org> |
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date | Sun, 04 Mar 2001 07:12:41 +0000 |
parents | e80f51792a09 |
children | 401a53e249b5 |
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25829 | 1 @c This is part of the Emacs manual. |
2 @c Copyright (C) 1985, 86, 87, 93, 94, 95, 1997 Free Software Foundation, Inc. | |
3 @c See file emacs.texi for copying conditions. | |
4 @node Screen, User Input, Acknowledgments, Top | |
5 @chapter The Organization of the Screen | |
6 @cindex screen | |
7 @cindex parts of the screen | |
8 @c | |
9 | |
10 On a text-only terminal, the Emacs display occupies the whole screen. | |
11 On the X Window System, Emacs creates its own X windows to use. We use | |
12 the term @dfn{frame} to mean an entire text-only screen or an entire X | |
13 window used by Emacs. Emacs uses both kinds of frames in the same way | |
14 to display your editing. Emacs normally starts out with just one frame, | |
15 but you can create additional frames if you wish. @xref{Frames}. | |
16 | |
17 When you start Emacs, the entire frame except for the first and last | |
18 lines is devoted to the text you are editing. This area is called the | |
19 @dfn{window}. The first line is a @dfn{menu bar}, and the last line is | |
20 a special @dfn{echo area} or @dfn{minibuffer window} where prompts | |
21 appear and where you can enter responses. See below for more | |
22 information about these special lines. | |
23 | |
24 You can subdivide the large text window horizontally or vertically | |
25 into multiple text windows, each of which can be used for a different | |
26 file (@pxref{Windows}). In this manual, the word ``window'' always | |
27 refers to the subdivisions of a frame within Emacs. | |
28 | |
29 The window that the cursor is in is the @dfn{selected window}, in | |
30 which editing takes place. Most Emacs commands implicitly apply to the | |
31 text in the selected window (though mouse commands generally operate on | |
32 whatever window you click them in, whether selected or not). The other | |
33 windows display text for reference only, unless/until you select them. | |
34 If you use multiple frames under the X Window System, then giving the | |
35 input focus to a particular frame selects a window in that frame. | |
36 | |
37 Each window's last line is a @dfn{mode line}, which describes what is | |
38 going on in that window. It appears in inverse video, if the terminal | |
39 supports that, and its contents begin with @w{@samp{--:-- @ *scratch*}} | |
40 when Emacs starts. The mode line displays status information such as | |
41 what buffer is being displayed above it in the window, what major and | |
42 minor modes are in use, and whether the buffer contains unsaved changes. | |
43 | |
44 @menu | |
45 * Point:: The place in the text where editing commands operate. | |
46 * Echo Area:: Short messages appear at the bottom of the screen. | |
47 * Mode Line:: Interpreting the mode line. | |
48 * Menu Bar:: How to use the menu bar. | |
49 @end menu | |
50 | |
51 @node Point | |
52 @section Point | |
53 @cindex point | |
54 @cindex cursor | |
55 | |
56 Within Emacs, the terminal's cursor shows the location at which | |
57 editing commands will take effect. This location is called @dfn{point}. | |
58 Many Emacs commands move point through the text, so that you can edit at | |
59 different places in it. You can also place point by clicking mouse | |
60 button 1. | |
61 | |
62 While the cursor appears to point @emph{at} a character, you should | |
63 think of point as @emph{between} two characters; it points @emph{before} | |
64 the character that appears under the cursor. For example, if your text | |
65 looks like @samp{frob} with the cursor over the @samp{b}, then point is | |
66 between the @samp{o} and the @samp{b}. If you insert the character | |
67 @samp{!} at that position, the result is @samp{fro!b}, with point | |
68 between the @samp{!} and the @samp{b}. Thus, the cursor remains over | |
69 the @samp{b}, as before. | |
70 | |
71 Sometimes people speak of ``the cursor'' when they mean ``point,'' or | |
72 speak of commands that move point as ``cursor motion'' commands. | |
73 | |
74 Terminals have only one cursor, and when output is in progress it must | |
75 appear where the typing is being done. This does not mean that point is | |
76 moving. It is only that Emacs has no way to show you the location of point | |
77 except when the terminal is idle. | |
78 | |
79 If you are editing several files in Emacs, each in its own buffer, | |
80 each buffer has its own point location. A buffer that is not currently | |
81 displayed remembers where point is in case you display it again later. | |
82 | |
83 When there are multiple windows in a frame, each window has its own | |
84 point location. The cursor shows the location of point in the selected | |
85 window. This also is how you can tell which window is selected. If the | |
86 same buffer appears in more than one window, each window has its own | |
87 position for point in that buffer. | |
88 | |
89 When there are multiple frames, each frame can display one cursor. | |
90 The cursor in the selected frame is solid; the cursor in other frames is | |
91 a hollow box, and appears in the window that would be selected if you | |
92 give the input focus to that frame. | |
93 | |
36185 | 94 The term ``point'' comes from the character @samp{.}, which was the |
25829 | 95 command in TECO (the language in which the original Emacs was written) |
36185 | 96 for accessing the value now called ``point.'' |
25829 | 97 |
98 @node Echo Area | |
99 @section The Echo Area | |
100 @cindex echo area | |
101 @c | |
102 | |
103 The line at the bottom of the frame (below the mode line) is the | |
104 @dfn{echo area}. It is used to display small amounts of text for | |
105 several purposes. | |
106 | |
107 @dfn{Echoing} means displaying the characters that you type. Outside | |
108 Emacs, the operating system normally echoes all your input. Emacs | |
109 handles echoing differently. | |
110 | |
111 Single-character commands do not echo in Emacs, and multi-character | |
112 commands echo only if you pause while typing them. As soon as you pause | |
113 for more than a second in the middle of a command, Emacs echoes all the | |
114 characters of the command so far. This is to @dfn{prompt} you for the | |
115 rest of the command. Once echoing has started, the rest of the command | |
116 echoes immediately as you type it. This behavior is designed to give | |
117 confident users fast response, while giving hesitant users maximum | |
118 feedback. You can change this behavior by setting a variable | |
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119 (@pxref{Display Custom}). |
25829 | 120 |
121 @cindex error message in the echo area | |
122 If a command cannot be executed, it may print an @dfn{error message} in | |
123 the echo area. Error messages are accompanied by a beep or by flashing the | |
124 screen. Also, any input you have typed ahead is thrown away when an error | |
125 happens. | |
126 | |
127 Some commands print informative messages in the echo area. These | |
128 messages look much like error messages, but they are not announced with | |
129 a beep and do not throw away input. Sometimes the message tells you | |
130 what the command has done, when this is not obvious from looking at the | |
131 text being edited. Sometimes the sole purpose of a command is to print | |
132 a message giving you specific information---for example, @kbd{C-x =} | |
133 prints a message describing the character position of point in the text | |
134 and its current column in the window. Commands that take a long time | |
135 often display messages ending in @samp{...} while they are working, and | |
136 add @samp{done} at the end when they are finished. | |
137 | |
138 @cindex @samp{*Messages*} buffer | |
139 @cindex saved echo area messages | |
140 @cindex messages saved from echo area | |
141 Echo-area informative messages are saved in an editor buffer named | |
142 @samp{*Messages*}. (We have not explained buffers yet; see | |
143 @ref{Buffers}, for more information about them.) If you miss a message | |
144 that appears briefly on the screen, you can switch to the | |
145 @samp{*Messages*} buffer to see it again. (Successive progress messages | |
146 are often collapsed into one in that buffer.) | |
147 | |
148 @vindex message-log-max | |
149 The size of @samp{*Messages*} is limited to a certain number of lines. | |
150 The variable @code{message-log-max} specifies how many lines. Once the | |
151 buffer has that many lines, each line added at the end deletes one line | |
152 from the beginning. @xref{Variables}, for how to set variables such as | |
153 @code{message-log-max}. | |
154 | |
155 The echo area is also used to display the @dfn{minibuffer}, a window that | |
156 is used for reading arguments to commands, such as the name of a file to be | |
157 edited. When the minibuffer is in use, the echo area begins with a prompt | |
158 string that usually ends with a colon; also, the cursor appears in that line | |
159 because it is the selected window. You can always get out of the | |
160 minibuffer by typing @kbd{C-g}. @xref{Minibuffer}. | |
161 | |
162 @node Mode Line | |
163 @section The Mode Line | |
164 @cindex mode line | |
165 @cindex top level | |
166 @c | |
167 | |
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168 Each text window's last line is a @dfn{mode line}, which describes |
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169 what is going on in that window. When there is only one text window, |
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170 the mode line appears right above the echo area; it is the |
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171 next-to-last line on the frame. The mode line starts and ends with |
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172 dashes. On a text-mode display, the mode line is in inverse video if |
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173 the terminal supports that; on a graphics display, the mode line has a |
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174 3D box appearence to help it stand out. |
25829 | 175 |
176 Normally, the mode line looks like this: | |
177 | |
178 @example | |
179 -@var{cs}:@var{ch} @var{buf} (@var{major} @var{minor})--@var{line}--@var{pos}------ | |
180 @end example | |
181 | |
182 @noindent | |
183 This gives information about the buffer being displayed in the window: the | |
184 buffer's name, what major and minor modes are in use, whether the buffer's | |
185 text has been changed, and how far down the buffer you are currently | |
186 looking. | |
187 | |
188 @var{ch} contains two stars @samp{**} if the text in the buffer has | |
189 been edited (the buffer is ``modified''), or @samp{--} if the buffer has | |
190 not been edited. For a read-only buffer, it is @samp{%*} if the buffer | |
191 is modified, and @samp{%%} otherwise. | |
192 | |
193 @var{buf} is the name of the window's @dfn{buffer}. In most cases | |
194 this is the same as the name of a file you are editing. @xref{Buffers}. | |
195 | |
196 The buffer displayed in the selected window (the window that the | |
197 cursor is in) is also Emacs's selected buffer, the one that editing | |
198 takes place in. When we speak of what some command does to ``the | |
199 buffer,'' we are talking about the currently selected buffer. | |
200 | |
201 @var{line} is @samp{L} followed by the current line number of point. | |
202 This is present when Line Number mode is enabled (which it normally is). | |
203 You can optionally display the current column number too, by turning on | |
204 Column Number mode (which is not enabled by default because it is | |
205 somewhat slower). @xref{Optional Mode Line}. | |
206 | |
207 @var{pos} tells you whether there is additional text above the top of | |
208 the window, or below the bottom. If your buffer is small and it is all | |
209 visible in the window, @var{pos} is @samp{All}. Otherwise, it is | |
210 @samp{Top} if you are looking at the beginning of the buffer, @samp{Bot} | |
211 if you are looking at the end of the buffer, or @samp{@var{nn}%}, where | |
212 @var{nn} is the percentage of the buffer above the top of the | |
213 window.@refill | |
214 | |
215 @var{major} is the name of the @dfn{major mode} in effect in the | |
216 buffer. At any time, each buffer is in one and only one of the possible | |
217 major modes. The major modes available include Fundamental mode (the | |
218 least specialized), Text mode, Lisp mode, C mode, Texinfo mode, and many | |
219 others. @xref{Major Modes}, for details of how the modes differ and how | |
220 to select one.@refill | |
221 | |
222 Some major modes display additional information after the major mode | |
223 name. For example, Rmail buffers display the current message number and | |
224 the total number of messages. Compilation buffers and Shell buffers | |
225 display the status of the subprocess. | |
226 | |
227 @var{minor} is a list of some of the @dfn{minor modes} that are turned | |
228 on at the moment in the window's chosen buffer. For example, | |
229 @samp{Fill} means that Auto Fill mode is on. @samp{Abbrev} means that | |
230 Word Abbrev mode is on. @samp{Ovwrt} means that Overwrite mode is on. | |
231 @xref{Minor Modes}, for more information. @samp{Narrow} means that the | |
232 buffer being displayed has editing restricted to only a portion of its | |
233 text. This is not really a minor mode, but is like one. | |
234 @xref{Narrowing}. @samp{Def} means that a keyboard macro is being | |
235 defined. @xref{Keyboard Macros}. | |
236 | |
237 In addition, if Emacs is currently inside a recursive editing level, | |
238 square brackets (@samp{[@dots{}]}) appear around the parentheses that | |
239 surround the modes. If Emacs is in one recursive editing level within | |
240 another, double square brackets appear, and so on. Since recursive | |
241 editing levels affect Emacs globally, not just one buffer, the square | |
242 brackets appear in every window's mode line or not in any of them. | |
243 @xref{Recursive Edit}.@refill | |
244 | |
245 Non-windowing terminals can only show a single Emacs frame at a time | |
246 (@pxref{Frames}). On such terminals, the mode line displays the name of | |
247 the selected frame, after @var{ch}. The initial frame's name is | |
248 @samp{F1}. | |
249 | |
250 @var{cs} states the coding system used for the file you are editing. | |
251 A dash indicates the default state of affairs: no code conversion, | |
252 except for end-of-line translation if the file contents call for that. | |
253 @samp{=} means no conversion whatsoever. Nontrivial code conversions | |
254 are represented by various letters---for example, @samp{1} refers to ISO | |
255 Latin-1. @xref{Coding Systems}, for more information. If you are using | |
256 an input method, a string of the form @samp{@var{i}>} is added to the | |
257 beginning of @var{cs}; @var{i} identifies the input method. (Some input | |
258 methods show @samp{+} or @samp{@@} instead of @samp{>}.) @xref{Input | |
259 Methods}. | |
260 | |
261 When you are using a character-only terminal (not a window system), | |
262 @var{cs} uses three characters to describe, respectively, the coding | |
263 system for keyboard input, the coding system for terminal output, and | |
264 the coding system used for the file you are editing. | |
265 | |
266 When multibyte characters are not enabled, @var{cs} does not appear at | |
267 all. @xref{Enabling Multibyte}. | |
268 | |
269 @cindex end-of-line conversion, mode-line indication | |
270 The colon after @var{cs} can change to another string in certain | |
30866 | 271 circumstances. Emacs uses newline characters to separate lines in the buffer. |
25829 | 272 Some files use different conventions for separating lines: either |
273 carriage-return linefeed (the MS-DOS convention) or just carriage-return | |
274 (the Macintosh convention). If the buffer's file uses carriage-return | |
275 linefeed, the colon changes to either a backslash (@samp{\}) or | |
276 @samp{(DOS)}, depending on the operating system. If the file uses just | |
277 carriage-return, the colon indicator changes to either a forward slash | |
278 (@samp{/}) or @samp{(Mac)}. On some systems, Emacs displays | |
279 @samp{(Unix)} instead of the colon even for files that use newline to | |
280 separate lines. | |
281 | |
282 @vindex eol-mnemonic-unix | |
283 @vindex eol-mnemonic-dos | |
284 @vindex eol-mnemonic-mac | |
285 @vindex eol-mnemonic-undecided | |
286 You can customize the mode line display for each of the end-of-line | |
287 formats by setting each of the variables @code{eol-mnemonic-unix}, | |
288 @code{eol-mnemonic-dos}, @code{eol-mnemonic-mac}, and | |
289 @code{eol-mnemonic-undecided} to any string you find appropriate. | |
290 @xref{Variables}, for an explanation how to set variables. | |
291 | |
292 @xref{Optional Mode Line}, for features that add other handy | |
293 information to the mode line, such as the current column number of | |
294 point, the current time, and whether new mail for you has arrived. | |
295 | |
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296 The mode line is mouse-sensitive; when you move the mouse across |
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297 various parts of it, Emacs displays help text to say what a click in |
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298 that place will do. @xref{Mode Line Mouse}. |
30866 | 299 |
25829 | 300 @node Menu Bar |
301 @section The Menu Bar | |
302 @cindex menu bar | |
303 | |
304 Each Emacs frame normally has a @dfn{menu bar} at the top which you | |
305 can use to perform certain common operations. There's no need to list | |
306 them here, as you can more easily see for yourself. | |
307 | |
308 @kindex M-` | |
309 @kindex F10 | |
310 @findex tmm-menubar | |
311 When you are using a window system, you can use the mouse to choose a | |
312 command from the menu bar. An arrow pointing right, after the menu | |
313 item, indicates that the item leads to a subsidiary menu; @samp{...} at | |
314 the end means that the command will read arguments from the keyboard | |
315 before it actually does anything. | |
316 | |
317 To view the full command name and documentation for a menu item, type | |
318 @kbd{C-h k}, and then select the menu bar with the mouse in the usual | |
319 way (@pxref{Key Help}). | |
320 | |
321 On text-only terminals with no mouse, you can use the menu bar by | |
322 typing @kbd{M-`} or @key{F10} (these run the command | |
323 @code{tmm-menubar}). This command enters a mode in which you can select | |
324 a menu item from the keyboard. A provisional choice appears in the echo | |
325 area. You can use the left and right arrow keys to move through the | |
326 menu to different choices. When you have found the choice you want, | |
327 type @key{RET} to select it. | |
328 | |
329 Each menu item also has an assigned letter or digit which designates | |
330 that item; it is usually the initial of some word in the item's name. | |
331 This letter or digit is separated from the item name by @samp{=>}. You | |
332 can type the item's letter or digit to select the item. | |
333 | |
334 Some of the commands in the menu bar have ordinary key bindings as | |
335 well; if so, the menu lists one equivalent key binding in parentheses | |
336 after the item itself. |