Mercurial > mplayer.hg
annotate DOCS/xml/fr/usage.xml @ 18126:50af37f6cc42
English docs should be built first.
author | diego |
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date | Mon, 17 Apr 2006 00:29:56 +0000 |
parents | 58ace5bcf0ec |
children | c3dc9a93f56e |
rev | line source |
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10109 | 1 <?xml version="1.0" encoding="iso-8859-1"?> |
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2 <!-- synced with 1.36 --> |
10109 | 3 <chapter id="usage"> |
4 <title>Utilisation</title> | |
5 | |
6 <sect1 id="commandline"> | |
7 <title>Ligne de commande</title> | |
8 | |
9 <para> | |
10 <application>MPlayer</application> utilise un ordre de lecture complexe. | |
11 Il consiste en les options globales écrites en premier, par exemple | |
12 | |
13 <screen>mplayer -vfm 5</screen> | |
14 | |
15 et les options écrites après les noms de fichier, qui s'appliquent | |
16 uniquement au nom de fichier/URL/autre donné, par exemple | |
17 | |
11736 | 18 <screen>mplayer -vfm 5 <replaceable>film1.avi</replaceable> <replaceable>film2.avi</replaceable> -vfm 4</screen> |
10109 | 19 </para> |
20 | |
21 <para> | |
22 Vous pouvez regrouper les noms de fichiers/URLs en utilisant <literal>{</literal> | |
23 et <literal>}</literal>. C'est utile avec l'option <option>-loop</option>: | |
24 | |
25 <screen>mplayer { 1.avi - loop 2 2.avi } -loop 3</screen> | |
26 | |
27 La commande ci-dessus jouera les fichiers dans cet ordre: 1, 1, 2, 1, 1, 2, 1, 1, 2. | |
28 </para> | |
29 | |
30 <para> | |
31 Lecture d'un fichier: | |
32 <synopsis> | |
33 <command>mplayer</command><!-- | |
34 --> [<replaceable>options</replaceable>]<!-- | |
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35 --> [<replaceable>chemin</replaceable>/]<replaceable>fichier</replaceable> |
10109 | 36 </synopsis> |
37 </para> | |
38 | |
39 <para> | |
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40 Autre façon de lire un fichier: |
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41 <synopsis> |
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42 <command>mplayer</command><!-- |
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43 --> [<replaceable>options</replaceable>]<!-- |
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44 --> <replaceable>file:///chemin-uri-escaped</replaceable> |
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45 </synopsis> |
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46 </para> |
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47 |
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48 <para> |
10109 | 49 Lecture de plusieurs fichiers: |
50 <synopsis> | |
51 <command>mplayer</command><!-- | |
52 --> [<replaceable>options par défaut</replaceable>]<!-- | |
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53 --> [<replaceable>chemin</replaceable>/]<replaceable>fichier1</replaceable><!-- |
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54 --> [<replaceable>options pour fichier1</replaceable>]<!-- |
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55 --> <replaceable>fichier2</replaceable><!-- |
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56 --> [<replaceable>options pour fichier2</replaceable>] ... |
10109 | 57 </synopsis> |
58 </para> | |
59 | |
60 <para> | |
61 Lecture de VCD: | |
62 <synopsis> | |
63 <command>mplayer</command> [<replaceable>options</replaceable>]<!-- | |
10202 | 64 --> vcd://<replaceable>N°piste</replaceable><!-- |
10109 | 65 --> [-cdrom-device <replaceable>/dev/cdrom</replaceable>] |
66 </synopsis> | |
67 </para> | |
68 | |
69 <para> | |
70 Lecture de DVD: | |
71 <synopsis> | |
72 <command>mplayer</command> [<replaceable>options</replaceable>]<!-- | |
10202 | 73 --> dvd://<replaceable>N°titre</replaceable><!-- |
10109 | 74 --> [-dvd-device <replaceable>/dev/dvd</replaceable>] |
75 </synopsis> | |
76 </para> | |
77 | |
78 <para> | |
79 Lecture à partir du web: | |
80 <synopsis> | |
81 <command>mplayer</command> [<replaceable>options</replaceable>]<!-- | |
82 --> http://<replaceable>site.com/fichier.asf</replaceable> | |
83 </synopsis> | |
84 (les listes de lecture peuvent également être utilisées) | |
85 </para> | |
86 | |
87 <para> | |
88 Lecture à partir de RTSP: | |
89 <synopsis> | |
90 <command>mplayer</command> [<replaceable>options</replaceable>]<!-- | |
91 --> rtsp://<replaceable>serveur.exemple.com/nomFlux</replaceable> | |
92 </synopsis> | |
93 </para> | |
94 | |
95 <para> | |
96 Exemples: | |
97 <screen> | |
11736 | 98 mplayer -vo x11 <replaceable>/mnt/Films/Contact/contact2.mpg</replaceable> |
99 mplayer vcd://<replaceable>2</replaceable> -cd-rom-device <replaceable>/dev/hdc</replaceable> | |
100 mplayer -afm 3 <replaceable>/mnt/DVDtrailers/alien4.vob</replaceable> | |
101 mplayer dvd://<replaceable>1</replaceable> -dvd-device <replaceable>/dev/hdc</replaceable> | |
102 mplayer -abs 65536 -delay -0.4 -nobps <replaceable>~/films/test.avi</replaceable><!-- | |
10109 | 103 --></screen> |
104 </para> | |
105 </sect1> | |
106 | |
107 | |
108 <sect1 id="control"> | |
109 <title>Contrôles</title> | |
110 | |
111 <para> | |
112 <application>MPlayer</application> dispose d'une couche de contrôle pleinement | |
113 configurable, qui vous permet de contrôler <application>MPlayer</application> | |
114 avec le clavier, la souris, le joystick ou une télécommande (en utilisant LIRC). | |
115 Voir la page de man pour une liste complète des contrôles clavier. | |
116 </para> | |
117 | |
118 | |
119 <sect2 id="ctrl-cfg"> | |
120 <title>Configuration des contrôles</title> | |
121 | |
122 <para> | |
123 <application>MPlayer</application> vous permet d'associer n'importe quel | |
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124 touche/bouton à n'importe quelle commande <application>MPlayer</application> en |
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125 utilisant un simple fichier de configuration. |
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126 La syntaxe consiste un nom de touche suivi d'une commande. Le fichier |
10109 | 127 de config par défaut est <filename>$HOME/.mplayer/input.conf</filename> mais cela |
128 peut être outrepassé en utilisant l'option <option>-input <replaceable>conf</replaceable></option> | |
129 (les chemins relatifs le sont par rapport à <filename>$HOME/.mplayer</filename>). | |
130 </para> | |
131 | |
14098 | 132 <para> |
133 Vous pouvez obtenir une liste complète des touches supportées en tapant | |
134 <command>mplayer -input keylist</command> | |
135 et une liste complète des commandes disponibles en tapant | |
136 <command>mplayer -input cmdlist</command>. | |
137 </para> | |
138 | |
10109 | 139 <example> |
140 <title>Un simple fichier de contrôles</title> | |
141 <programlisting> | |
142 ## | |
143 ## MPlayer input control file | |
144 ## | |
145 | |
146 RIGHT seek +10 | |
147 LEFT seek -10 | |
148 - audio_delay 0.100 | |
149 + audio_delay -0.100 | |
150 q quit | |
151 > pt_step 1 | |
152 < pt_step -1 | |
153 ENTER pt_step 1 1<!-- | |
154 --></programlisting> | |
155 </example> | |
156 </sect2> | |
157 | |
158 | |
159 <sect2 id="lirc"> | |
160 <title>Control from LIRC</title> | |
161 | |
162 <para> | |
163 Linux Infrared Remote Control - utilisez un récepteur infrarouge fait | |
164 maison, une télécommande, et contrôlez votre linux à distance ! Plus d'infos | |
14098 | 165 sur <ulink url="http://www.lirc.org">la page de LIRC</ulink>. |
10109 | 166 </para> |
167 | |
168 <para> | |
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169 Si vous avez installé le paquet LIRC, <filename>configure</filename> le détectera |
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170 automatiquement. |
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171 Si tout s'est bien passé, <application>MPlayer</application> affichera un |
14098 | 172 message du genre "<computeroutput>Setting up LIRC support...</computeroutput>" |
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173 au démarrage. Si une erreur se produit il vous le dira. Si il ne vous dit |
10109 | 174 rien à propos de LIRC c'est que son support n'est pas compilé. C'est tout :-) |
175 </para> | |
176 | |
177 <para> | |
178 Le nom de l'application à lancer avec <application>MPlayer</application> est | |
179 - oh surprise - <filename>mplayer</filename>. Vous pouvez utiliser n'importe | |
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180 quelle commande <application>MPlayer</application> et même passer plus d'une commande |
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181 en les séparant avec <literal>\n</literal>. |
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182 N'oubliez pas d'activer le flag repeat dans <filename>.lircrc</filename> quand cela |
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183 est approprié (déplacement, volume, etc). |
14098 | 184 Voici un extrait d'un fichier d'exemple |
10109 | 185 <filename>.lircrc</filename>: |
186 </para> | |
187 | |
188 <programlisting> | |
189 begin | |
190 button = VOLUME_PLUS | |
191 prog = mplayer | |
192 config = volume 1 | |
193 repeat = 1 | |
194 end | |
195 | |
196 begin | |
197 button = VOLUME_MINUS | |
198 prog = mplayer | |
199 config = volume -1 | |
200 repeat = 1 | |
201 end | |
202 | |
203 begin | |
204 button = CD_PLAY | |
205 prog = mplayer | |
206 config = pause | |
207 end | |
208 | |
209 begin | |
210 button = CD_STOP | |
211 prog = mplayer | |
212 config = seek 0 1\npause | |
213 end<!-- | |
214 --></programlisting> | |
215 | |
216 <para> | |
217 Si vous n'aimez pas l'emplacement standard du fichier de config de lirc | |
218 (<filename>~/.lircrc</filename>) utilisez <option>-lircconf | |
219 <replaceable>nomfichier</replaceable></option> pour spécifier un autre fichier. | |
220 </para> | |
221 </sect2> | |
222 | |
223 | |
224 <sect2 id="slave-mode"> | |
225 <title>Mode esclave</title> | |
226 <para> | |
227 Le mode esclave vous permet de construire un frontend à | |
228 <application>MPlayer</application>. Quand il est activé (avec | |
229 <option>-slave</option>) <application>MPlayer</application> lit les commandes | |
230 séparées par un saut de ligne (\n) depuis l'entrée par défaut (stdin). | |
14098 | 231 Les commandes sont documentées dans le fichier |
232 <ulink url="../../tech/slave.txt">slave.txt</ulink>. | |
10109 | 233 </para> |
234 </sect2> | |
235 </sect1> | |
236 | |
237 | |
238 <sect1 id="streaming"> | |
239 <title>Streaming depuis le réseau ou les pipes</title> | |
240 | |
241 <para> | |
242 <application>MPlayer</application> peut lire des fichiers depuis le réseau, en | |
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243 utilisant les protocoles HTTP, FTP, MMS ou RTSP/RTP. |
10109 | 244 </para> |
245 | |
246 <para> | |
247 La lecture se fait juste en ajoutant l'URL à la ligne de commande. | |
248 <application>MPlayer</application> utilise également la variable d'environnement | |
14098 | 249 <envar>http_proxy</envar>, et utilise le proxy si disponible. L'utilisation du proxy |
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250 peut aussi être forcé: |
11736 | 251 <screen>mplayer <replaceable>http_proxy://proxy.micorsops.com:3128/http://micorsops.com:80/stream.asf</replaceable></screen> |
10109 | 252 </para> |
253 | |
254 <para> | |
255 <application>MPlayer</application> peut lire depuis stdin | |
256 (<emphasis>pas</emphasis> depuis les pipes nommés). Cela peut être utilisé par | |
257 exemple pour lire depuis le FTP: | |
11736 | 258 <screen>wget <replaceable>ftp://micorsops.com/quelquechose.avi</replaceable> -O - | mplayer -</screen> |
10109 | 259 </para> |
260 | |
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261 <note><para> |
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262 Il est également recommandé d'activer <option>-cache</option> pour une lecture |
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263 depuis le réseau: |
11736 | 264 <screen>wget <replaceable>ftp://micorsops.com/quelquechose.avi</replaceable> -O - | mplayer -cache 8192 -</screen> |
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265 </para></note> |
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266 |
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267 <sect2 id="streaming-save"> |
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268 <title>Sauvegarder du contenu flux</title> |
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269 <para> |
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270 Une fois que vous avez réussi à faire <application>MPlayer</application> lire |
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271 votre flux internet favorit, vous pouvez utiliser l'option |
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272 <option>-dumpstream</option> pour sauvegarder le flux dans un fichier. |
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273 Par exemple: |
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274 <screen> |
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275 mplayer <replaceable>http://217.71.208.37:8006</replaceable> -dumpstream -dumpfile <replaceable>stream.asf</replaceable> |
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276 </screen> |
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277 sauvegardera le contenu en flux depuis |
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278 <replaceable>http://217.71.208.37:8006</replaceable> vers |
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279 <replaceable>stream.asf</replaceable>. |
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280 Cela marche avec tous les protocoles supportés par |
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281 <application>MPlayer</application>, comme MMS, RSTP, et bien d'autre encore. |
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282 </para> |
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283 </sect2> |
10109 | 284 </sect1> |
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285 |
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286 <sect1 id="mpst" xreflabel="Remote streams"> |
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287 <title>Flux distants</title> |
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288 |
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289 <para> |
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290 Les flux distants vous permettent d'accéder à la plupart des types de flux de |
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291 <application>MPlayer</application> depuis un hôte distant. Le but de cette fonction |
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292 est de rendre possible l'utilisation du lecteur CD ou DVD d'un autre ordinateur |
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293 sur le réseau (en supposant que vous ayez une bande passante suffisante). Malheureusement |
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294 certains types de flux (pour l'instant TV et MF) ne sont pas utilisables à |
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295 distance car ils sont implémentés au niveau du demuxer. C'est triste pour les |
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296 flux MF mais les flux TV nécessiteraient une bande passante incensée. |
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297 </para> |
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298 |
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299 <sect2 id="compile_mpst_server"> |
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300 <title>Compilation du serveur</title> |
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301 <para> |
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302 Après avoir compilé <application>MPlayer</application>, allez dans le répertoire |
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303 <filename>TOOLS/netstream</filename> et tapez |
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304 <application>make</application> pour compiler le serveur. |
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305 Vous pouvez ensuite copier le binaire <application>netstream</application> |
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306 dans l'endroit approprié sur votre système (généralement |
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307 <filename class="directory">/usr/local/bin</filename> sous Linux). |
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308 </para> |
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309 </sect2> |
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310 |
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311 <sect2 id="use_mpst"> |
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312 <title>Utilisation de flux distants</title> |
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313 <para> |
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314 Tout d'abord vous devez lancer le serveur sur l'ordinateur auquel vous souhaitez |
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315 accéder à distance. Actuellement le serveur est très basique et n'accepte aucun |
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316 argument en ligne de commande, donc tapez juste <filename>netstream</filename>. |
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317 Maintenant vous pouvez par exemple jouer la seconde piste d'un VCD sur le serveur avec: |
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318 <screen> |
11736 | 319 mplayer -cache 5000 <replaceable>mpst://serveur/vcd://2</replaceable> |
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320 </screen> |
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321 Vous pouvez aussi accéder aux fichiers de ce serveur: |
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322 |
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323 <screen> |
11736 | 324 mplayer -cache 5000 <replaceable>mpst://serveur//usr/local/films/lol.avi</replaceable> |
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325 </screen> |
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326 Veuillez noter que les chemins qui ne commencent pas par un / seront relatifs |
11167 | 327 au répertoire dans lequel le serveur fonctionne. L'option <option>-cache</option> |
328 n'est pas requise mais vivement recommandée. | |
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329 </para> |
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330 |
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331 <para> |
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332 Soyez conscient que pour l'instant le serveur n'est pas sécurisé du tout. Donc |
15014 | 333 ne vous plaignez pas des nombreuses attaques possibles par cette voie. À la place |
334 envoyez-nous quelques (bons) patches pour le rendre meilleur ou écrivez votre propre | |
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335 serveur. |
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336 </para> |
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337 |
11844 | 338 </sect2> |
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339 |
11844 | 340 </sect1> |
341 | |
342 <sect1 id="edl" xreflabel="Edit Decision Lists (EDL)"> | |
343 <title>Listes d'Edition de Décision (EDL)</title> | |
344 | |
345 <para> | |
346 Le système de liste d'édition de décision (Edit Decision Lists - EDL) vous | |
347 permet de sauter ou rendre muet des sections de vidéos pendant la lecture, | |
348 basé sur un fichier de configuration EDL spécifique au film. | |
349 </para> | |
350 | |
351 <para> | |
352 Ceci est utile pour ceux qui veulent voir un film en mode "tout public". | |
15014 | 353 Vous pouvez couper toute violence, profanation, Jar-Jar Binks .. d'un film |
11844 | 354 suivant vos préférences personnelles. A part ça, il y a d'autres |
14098 | 355 utilisations, comme sauter automatiquement les publicités dans les fichiers vidéos |
11844 | 356 que vous regardez. |
357 </para> | |
358 | |
359 <para> | |
360 Le format de fichier EDL est plutôt rudimentaire. Une fois que le système EDL | |
361 aura atteint un certain niveau de maturité, un format de fichier basé sur XML | |
362 sera probablement implémenté (en gardant une compatibilité descendante avec les | |
363 précédents formats EDL). | |
364 </para> | |
365 | |
366 <sect2 id="edl_using"> | |
367 <title>Utiliser un fichier EDL</title> | |
368 <para> | |
369 Incluez l'option <option>-edl <nomfichier></option> quand vous lancez | |
370 <application>MPlayer</application>, avec le nom du fichier EDL que vous voulez | |
17202 | 371 appliquer à la vidéo. |
11844 | 372 </para> |
373 </sect2> | |
374 | |
375 <sect2 id="edl_making"> | |
376 <title>Faire un fichier EDL</title> | |
377 <para> | |
378 Le format de fichier actuel EDL est: | |
379 <programlisting> | |
380 [seconde de départ] [seconde de fin] [action] | |
381 </programlisting> | |
382 Où les secondes sont des nombres à virgule et l'action est soit | |
383 <literal>0</literal> pour sauter, soit <literal>1</literal> pour couper le son. | |
384 Exemple: | |
385 <programlisting> | |
386 5.3 7.1 0 | |
387 15 16.7 1 | |
388 420 422 0 | |
389 </programlisting> | |
390 Cela va sauter de la seconde 5.3 à la seconde 7.1 de la vidéo, puis va couper | |
391 le son à 15 secondes, le remettre à 16.7 secondes et sauter de la seconde 420 | |
15014 | 392 à la seconde 422 de la vidéo. Ces actions seront appliquées quand le temps de |
17202 | 393 lecture aura atteint le temps indiqué dans le fichier. |
11844 | 394 </para> |
395 | |
396 <para> | |
397 Pour créer un fichier EDL à partir duquel travailler, utilisez l'option | |
398 <option>-edlout <nomfichier></option>. Durant la lecture, quand vous | |
399 voulez marquer les deux secondes précédentes à sauter, tapez sur <keycap>i</keycap>. | |
400 Une entrée correspondante sera écrite dans le fichier. Vous pouvez ensuite revenir | |
401 et affiner le fichier EDL généré. | |
402 </para> | |
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403 </sect2> |
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404 |
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405 </sect1> |
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406 |
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407 <sect1 id="advaudio" xreflabel="Advanced Audio"> |
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408 <title>Audio Avancé</title> |
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409 |
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410 <sect2 id="advaudio-surround"> |
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411 <title>Lecture Surround/Multi-canal</title> |
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412 |
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413 <sect3 id="advaudio-surround-DVD"> |
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414 <title>DVDs</title> |
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415 <para> |
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416 La plupart des DVDs et beaucoup d'autres fichiers incluent le son surround. |
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417 <application>MPlayer</application> supporte la lecture surround mais ne les |
17202 | 418 activent pas par défaut parce que les équipement stéréos sont de loin plus communs. |
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419 Pour jouer un fichier qui ont plus de deux canaux audio utilisez |
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420 <option>-channels</option>. |
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421 Par exemple, pour jouer un DVD avec l'audio 5.1: |
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422 |
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423 <screen>mplayer dvd://1 -channels 6</screen> |
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424 |
17202 | 425 Notez que en dépit du nom "5.1" il y a couramment six canaux discret. |
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426 Si vous avez l'équipement pour le son surround il est de précaution de mettre |
17202 | 427 l'option <option>channels</option> dans votre fichier de configuration de |
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428 <application>MPlayer</application> <filename>~/.mplayer/config</filename>. |
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429 Par exemple, pour faire une lecture quadriphonique par défaut, ajoutez cette |
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430 ligne: |
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431 |
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432 <programlisting>channels=4</programlisting> |
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433 |
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434 <application>MPlayer</application> sortira alors l'audio en quatre canaux quand |
17202 | 435 les quatres canaux sont tous disponibles. |
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436 </para> |
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437 </sect3> |
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438 |
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439 |
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440 <sect3 id="advaudio-surround-stereoinfour"> |
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441 <title>Lire des fichiers stéréo sur quatre haut-parleurs</title> |
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442 |
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443 <para> |
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444 <application>MPlayer</application> ne duplique aucun canal par défaut, |
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445 et la plupart des pilotes audio ne le font pas non plus. Si vous voulez le faire manuellement: |
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446 |
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447 <screen>mplayer <replaceable>filename</replaceable> -af channels=2:2:0:1:0:0</screen> |
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448 |
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449 Voir la section sur |
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450 <link linkend="advaudio-channels-copying">canal en copie</link> pour une |
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451 explication. |
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452 </para> |
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453 |
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454 </sect3> |
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455 |
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456 |
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457 <sect3 id="advaudio-surround-passthrough"> |
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458 <title>AC3/DTS Passthrough</title> |
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459 |
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460 <para> |
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461 Les DVDs ont habituellement l'audio surround encodé en format AC3 (Dolby Digital) ou DTS |
17202 | 462 (Digital Theater System). Certains équipements audio moderne sont capables de |
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463 décoder ces formats de façon interne. <application>MPlayer</application> peut être |
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464 configuré pour relayer les données audio sans le décodé. Cela ne marchera que si |
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465 vous avez you have une connectique S/PDIF (Sony/Philips Digital Interface) sur |
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466 votre carte son. |
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467 </para> |
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468 |
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469 <para> |
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470 Si votre équipement audio peux décoder AC3 et DTS, vous pouvez sans risque activer |
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471 le passthrough pour les deux formats. Autrement, activez le passthrough pour le seul format |
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472 votre équipement supporte. |
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473 </para> |
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474 |
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475 <itemizedlist> |
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476 <title>Pour activer le passthrough en ligne de commande:</title> |
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477 <listitem><para> |
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478 Pour l'AC3 seul, utilisez <option>-ac hwac3</option> |
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479 </para></listitem> |
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480 <listitem><para> |
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481 Pour le DTS seul, utilisez <option>-ac hwdts</option> |
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482 </para></listitem> |
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483 <listitem><para> |
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484 Pour l'ensemble AC3 et DTS, utilisez <option>-afm hwac3</option> |
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485 </para></listitem> |
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486 </itemizedlist> |
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487 |
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488 <itemizedlist> |
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489 <title>Pour activer le passthrough dans le fichier de configuration |
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490 de <application>MPlayer</application>: </title> |
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491 <listitem><para> |
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492 Pour l'AC3 seul, utilisez <option>ac=hwac3,</option> |
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493 </para></listitem> |
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494 <listitem><para> |
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495 Pour le DTS seul, utilisez <option>ac=hwdts,</option> |
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496 </para></listitem> |
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497 <listitem><para> |
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498 Pour l'ensemble AC3 et DTS, utilisez <option>afm=hwac3</option> |
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499 </para></listitem> |
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500 </itemizedlist> |
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501 |
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502 <para> |
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503 Notez qu'il y a une virgule (",") à la fin de |
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504 <option>ac=hwac3,</option> et <option>ac=hwdts,</option>. |
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505 Cela permettra à <application>MPlayer</application> de retomber sur les |
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506 codecs qu'il utilise normalement lors de la lecture d'un fichier qui n'a |
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507 pas l'audio en AC3 ou DTS. |
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508 <option>afm=hwac3</option> n'a pas besoin d'une virgule; de toute façon |
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509 <application>MPlayer</application> reviendra en arrière lorsqu'une famille |
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510 d'audio est spécifiée. |
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511 </para> |
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512 |
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513 </sect3> |
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514 |
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515 <sect3 id="hwmpa-surround-passthrough"> |
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516 <title>PasseBande audio MPEG</title> |
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517 |
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518 <para> |
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519 Les transmissions TV numérique (comme DVB et ATSC) et certains DVD ont |
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520 habituellement des flux audio MPEG (en particulier MP2). |
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521 Certains décodeurs matériels MPEG comme les cartes DVB complètes et les |
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522 adaptateurs DXR2 peuvent décoder nativement ce format. |
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523 <application>MPlayer</application> peut être configuré pour relayer les |
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524 données audio sans les décoder. |
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525 </para> |
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526 |
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527 <para> |
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528 Pour utiliser ce codec: |
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529 <screen> mplayer -ac hwmpa </screen> |
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530 </para> |
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531 </sect3> |
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532 |
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533 <sect3 id="advaudio-surround-matrix"> |
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534 <title>Audio à encodage matriciel</title> |
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535 |
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536 <para> |
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537 <emphasis>***TODO***</emphasis> |
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538 </para> |
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539 <para> |
17202 | 540 Cette section doit encore être écrite et ne peut être complétée tant que personne ne nous |
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541 a fourni des fichiers d'exemple à tester. Si vous avez quelconques fichiers audio à |
17202 | 542 encodage matriciel en votre possession,que savez où en trouver, ou avez quelconques informations |
543 qui pourraient être utiles, veuillez envoyer un message à la liste de diffusion | |
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544 <ulink url="http://mplayerhq.hu/mailman/listinfo/mplayer-docs">MPlayer-DOCS</ulink>. |
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545 Mettez "[matrix-encoded audio]" en sujet du mail. |
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546 </para> |
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547 <para> |
17202 | 548 Si aucuns fichiers ou de plus amples informations ne sont reçues cette section sera enlevée. |
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549 </para> |
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550 |
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551 <para> |
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552 Liens Bon: |
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553 <itemizedlist> |
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554 <listitem><para> |
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555 <ulink url="http://electronics.howstuffworks.com/surround-sound5.htm">http://electronics.howstuffworks.com/surround-sound5.htm</ulink> |
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556 </para></listitem> |
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557 <listitem><para> |
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558 <ulink url="http://www.extremetech.com/article2/0,1697,1016875,00.asp">http://www.extremetech.com/article2/0,1697,1016875,00.asp</ulink> |
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559 </para></listitem> |
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560 </itemizedlist> |
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561 </para> |
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562 |
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563 </sect3> |
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564 |
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565 |
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566 <sect3 id="advaudio-surround-hrtf"> |
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567 <title>Emulation Surround dans les écouteurs</title> |
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568 |
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569 <para> |
17202 | 570 <application>MPlayer</application> inclu un filtre HRTF (Head Related Transfer |
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571 Function) basé sur un |
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572 <ulink url="http://sound.media.mit.edu/KEMAR.html">projet MIT</ulink> |
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573 où des mesures ont été prises depuis des microphones montés sur une tête humaine factice. |
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574 </para> |
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575 |
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576 <para> |
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577 Bien que il ne soit pas possible de reproduire exactement un système surround, |
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578 le filtre HRTF de <application>MPlayer</application> fourni une immersion audio |
17202 | 579 plus spatiale avec les systèmes d'écoute stéréo. |
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580 La plupart des techniques de mixage consistent à simplement fusionner tous les |
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581 canaux en deux; En plus de cette fusion, <option>hrtf</option> génére de |
17202 | 582 subtils échos, augmente un peu la séparation stéréo, et altère le volume de |
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583 certaines fréquences. |
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584 Si HRTF sonne mieux gardez à l'esprit que tout ceci est dépendant de la |
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585 source audio et est une question de goût personnel, mais cela vaut vraiment le |
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586 coup d'essayer. |
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587 </para> |
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588 |
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589 <para> |
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590 Pour jouer un DVD avec le HRTF: |
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591 |
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592 <screen>mplayer dvd://1 -channels 6 -af hrtf</screen> |
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593 |
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594 </para> |
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595 |
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596 <para> |
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597 <option>hrtf</option> ne marche bien que avec 5 ou 6 canaux. |
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598 Aussi, <option>hrtf</option> requière de l'audio en 48 kHz. |
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599 L'audio DVD est déjà en 48 kHz, mais si vous avez un fichier avec un taux |
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600 d'échantillonnage différent que celui que vous voulez jouer en utilisant |
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601 <option>hrtf</option> vous devez le ré-échantillonner: |
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602 |
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603 <screen>mplayer <replaceable>filename</replaceable> -channels 6 -af resample=48000,hrtf</screen> |
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604 |
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605 </para> |
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606 |
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607 </sect3> |
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608 |
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609 |
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610 <sect3 id="advaudio-surround-troubleshooting"> |
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611 <title>Dépannage</title> |
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612 |
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613 <para> |
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614 Si vous n'entendez aucun son provenant de vos canaux surround, controler |
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615 vos paramètres de mixeur avec un programme de mixeur comme |
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616 <application>alsamixer</application>; les sorties audio sont souvent muettes |
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617 et le volume réglé à zéro par défaut. |
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618 </para> |
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619 |
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620 </sect3> |
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621 |
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622 </sect2> |
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623 |
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624 |
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625 <sect2 id="advaudio-channels"> |
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626 <title>Manipulation de Canal</title> |
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627 |
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628 <sect3 id="advaudio-channels-general"> |
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629 <title>Information Générale</title> |
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630 |
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631 <para> |
17202 | 632 Malheureusement, il n'y a pas de standard qui montrent comment les canaux sont ordonnés. |
633 Les ordres listés ci-dessous sont ceux de l'AC3 et sont assez typiques; | |
16878
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634 essayez-les et voyez si votre source correspond. |
17202 | 635 Les canaux sont numérotés à partir de par 0. |
16878
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636 |
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637 <orderedlist spacing="compact"> |
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638 <title>mono</title> |
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639 <listitem override="0"><simpara>centre</simpara></listitem> |
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640 </orderedlist> |
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641 |
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642 <orderedlist spacing="compact"> |
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643 <title>stéréo</title> |
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644 <listitem override="0"><simpara>gauche</simpara></listitem> |
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645 <listitem><simpara>droite</simpara></listitem> |
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646 </orderedlist> |
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647 |
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648 <orderedlist spacing="compact"> |
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649 <title>quadraphonique</title> |
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650 <listitem override="0"><simpara>devant gauche</simpara></listitem> |
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651 <listitem><simpara>devant droite</simpara></listitem> |
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652 <listitem><simpara>arrière gauche</simpara></listitem> |
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653 <listitem><simpara>arrière droite</simpara></listitem> |
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654 </orderedlist> |
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655 |
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656 <orderedlist spacing="compact"> |
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657 <title>surround 4.0</title> |
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658 <listitem override="0"><simpara>devant gauche</simpara></listitem> |
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659 <listitem><simpara>devant droite</simpara></listitem> |
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660 <listitem><simpara>arrière centre</simpara></listitem> |
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661 <listitem><simpara>devant centre</simpara></listitem> |
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662 </orderedlist> |
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663 |
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664 <orderedlist spacing="compact"> |
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665 <title>surround 5.0</title> |
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666 <listitem override="0"><simpara>devant gauche</simpara></listitem> |
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667 <listitem><simpara>devant droite</simpara></listitem> |
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668 <listitem><simpara>arrière gauche</simpara></listitem> |
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669 <listitem><simpara>arrière droite</simpara></listitem> |
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670 <listitem><simpara>devant centre</simpara></listitem> |
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|
671 </orderedlist> |
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672 |
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673 <orderedlist spacing="compact"> |
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674 <title>surround 5.1</title> |
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675 <listitem override="0"><simpara>devant gauche</simpara></listitem> |
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676 <listitem><simpara>devant droite</simpara></listitem> |
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677 <listitem><simpara>arrière gauche</simpara></listitem> |
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678 <listitem><simpara>arrière droite</simpara></listitem> |
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679 <listitem><simpara>devant centre</simpara></listitem> |
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680 <listitem><simpara>caisson de basse</simpara></listitem> |
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|
681 </orderedlist> |
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|
682 |
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|
683 </para> |
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|
684 |
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|
685 <para> |
17202 | 686 L'option <option>-channels</option> est utilisée pour demander le nombre |
16878
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687 de canaux depuis le décodeur audio. |
17202 | 688 Certains codecs audio utilisent le nombre de canaux spécifiés pour décider |
16878
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689 si le mixage (downmixing) de la source est nécessaire. |
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690 Notez que cela n'affecte pas toujours le nombre de canaux de sortie. |
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691 Par exemple, utiliser <option>-channels 4</option> pour jouer un fichier |
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692 stéréo MP3 résultera quand même en une sortie en 2-canaux à partir du moment |
17202 | 693 où le codec MP3 ne produira pas de canaux suplémentaires. |
16878
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|
694 </para> |
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|
695 |
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|
696 <para> |
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697 Le filtre audio <option>channels</option> peut être utilisé pour créer ou enléver |
17202 | 698 des canaux et, est utile pour contrôler le nombre de canaux envoyés à la carte son. |
16878
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699 Voir les sections suivantes pour plus d'informations sur la manipulation de canaux. |
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|
700 </para> |
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|
701 |
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|
702 </sect3> |
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|
703 |
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|
704 |
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|
705 <sect3 id="advaudio-channels-mono"> |
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706 <title>Jouer en mono avec deux enceintes</title> |
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707 |
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|
708 <para> |
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709 Mono sonne beaucoup mieux quand il est joué au travers de deux enceintes - |
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710 particulièrement quand des écouteurs sont utilisés. |
17202 | 711 Les fichiers Audio qui ont vraiment un canal sont automatiquement joués |
16878
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712 au travers de deux enceintes; malheureusement, la plupart des filtres avec |
17202 | 713 le son mono sont couramment encodés comme stéréo avec un canal silencieux. |
16878
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714 La façon la plus facile et la plus fidèle de faire sortir des enceintes le |
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715 même audio est le filtre <option>extrastereo</option>: |
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|
716 |
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|
717 <screen>mplayer <replaceable>filename</replaceable> -af extrastereo=0</screen> |
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|
718 |
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|
719 </para> |
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|
720 |
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|
721 <para> |
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722 Ceci fait la moyenne des deux canaux, ayant pour résultat que les deux canaux ont |
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|
723 leur volume réduit de moitié par rapport à l'original. Les sections suivantes ont |
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|
724 des exemples sur les autres manières de faire ceci sans une diminution du volume, |
17202 | 725 mais ils sont plus compliqués et requièrent différentes options dépendemment du canal |
16878
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|
726 à garder. Si vous voulez réellement maintenir le volume, |
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727 il est peut être plus facile de tester avec le filtre <option>volume</option> et |
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|
728 trouver la bonne valeur. Par exemple: |
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|
729 |
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|
730 <screen>mplayer <replaceable>nom_fichier</replaceable> -af extrastereo=0,volume=5</screen> |
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|
731 |
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|
732 </para> |
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|
733 |
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|
734 </sect3> |
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|
735 |
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|
736 |
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737 <sect3 id="advaudio-channels-copying"> |
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738 <title>Copié/Déplacé le canal</title> |
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739 |
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|
740 <para> |
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741 Le filtre <option>channels</option> peut déplacer n'importe lequel ou tous les canaux. |
17202 | 742 Parametré toutes les sous-options pour le filtre <option>channels</option> |
16878
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743 peut être compliqué et prend peu d'attention. |
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744 |
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745 <orderedlist spacing="compact"> |
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|
746 <listitem><para> |
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|
747 Décidez combien de canaux de sortie vous avez besoin. |
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748 Ceci est la première sous-option. |
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749 </para></listitem> |
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750 <listitem><para> |
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751 Comptez combien de canaux vous devrez déplacer. |
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752 Ceci est la seconde sous-option. |
17202 | 753 Chaque canal peut être déplacé en plusieurs différents canaux en même temps, |
16878
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754 mais gardez en tête que quand un canal est déplacé (même si vers une seule |
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755 destination) le canal source sera vidé à moins qu'un autre canal ne soit |
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756 déplacé dans ce même canal. |
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757 Pour copier un canal, en gardant la source intacte, simplement déplacer le |
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758 canal dans les deux destination et source. Par exemple: |
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759 <programlisting> |
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760 canal 2 --> canal 3 |
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761 canal 2 --> canal 2 |
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762 </programlisting> |
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763 </para></listitem> |
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|
764 <listitem><para> |
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765 Écrivez les copies de canal comme paires de sous-options. Notez que le premier |
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766 canal est 0, le second est 1, etc. L'ordre de ces sous-options n'importe pas aussi |
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767 longtemps qu'ils sont correctement groupés en |
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768 <replaceable>source:destination</replaceable> paires. |
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|
769 </para></listitem> |
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|
770 </orderedlist> |
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|
771 |
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|
772 </para> |
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|
773 |
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|
774 |
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775 <bridgehead>Exemple: un canal en deux enceintes</bridgehead> |
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776 |
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|
777 <para> |
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778 Ici un exemple d'une autre manière de jouer un canal sur les deux enceintes. On suppose |
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779 pour cette exemple que le canal de gauche devra être joué et le canal de droite annulé. |
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780 En suivant les étapes ci-dessus: |
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|
781 <orderedlist> |
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|
782 <listitem><para> |
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783 Afin de fournir un canal de sortie pour chacune des deux enceintes, la première |
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784 sous-option doit être "2". |
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|
785 </para></listitem> |
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|
786 <listitem><para> |
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787 Le canal de gauche a besoin d'être déplacé vers le canal de droite, et doit |
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788 aussi être déplacé vers lui-même pour que le canal ne se vide pas. |
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789 Cela fait un total de deux déplacements, mettant la deuxième sous-option |
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790 aussi à "2". |
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|
791 </para></listitem> |
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|
792 <listitem><para> |
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793 Pour déplacer le canal de gauche (canal 0) vers le canal de droite (canal 1), la paire |
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794 sous-option est "0:1", "0:0" déplace le canal de gauche vers lui-même. |
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|
795 </para></listitem> |
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|
796 </orderedlist> |
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797 En mettant tout ça ensemble cela donne: |
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|
798 |
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|
799 <screen>mplayer <replaceable>filename</replaceable> -af channels=2:2:0:1:0:0</screen> |
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800 </para> |
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|
801 |
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|
802 <para> |
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803 L'avantage de cette exemple par rapport à <option>extrastereo</option> est que le |
17202 | 804 volume de chaque canal de sortie est le même que le canal d'entrée. Le désavantage |
805 étant que les sous-options doivent être changées à "2:2:1:0:1:1" quand l'audio désirée | |
806 est dans le canal de droite. Il est aussi plus difficile de s'en souvenir et de le taper. | |
16878
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|
807 </para> |
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|
808 |
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809 <bridgehead>Exemple: canal gauche vers deux enceintes raccourci</bridgehead> |
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|
810 |
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|
811 <para> |
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812 Il y a couramment une façon plus simple d'utiliser le filtre <option>channels</option> |
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813 pour jouer le canal de gauche vers les deux enceintes: |
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|
814 |
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815 <screen>mplayer <replaceable>nom_fichier</replaceable> -af channels=1</screen> |
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816 |
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817 Le second canal est enlevé et, sans plus de sous-options, le seul canal |
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818 qui reste est celui de gauche. Les pilotes de carte son jouent automatiquement |
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819 l'audio d'un seul canal vers les deux enceintes. cela ne fonctionne que quand |
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820 le canal voulu est sur la gauche. |
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|
821 </para> |
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|
822 |
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823 <bridgehead>Exemple: dupliquer les canaux frontaux sur l'arrière</bridgehead> |
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824 <para> |
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825 Une autre opération commune est de dupliquer les canaux frontaux et de leur |
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826 faire rejouer sur les enceintes arrière d'un paramètrage quadraphonique. |
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827 <orderedlist> |
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828 <listitem><para> |
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829 Il devrait y avoir quatre canaux de sortie. La première sous-option est "4". |
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|
830 </para></listitem> |
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831 <listitem><para> |
17202 | 832 Chacun des deux canaux avant a besoin d'être déplacé vers le canal arrière |
16878
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833 correspondant et aussi vers lui-même. |
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834 Cela fait quatre déplacements, donc la seconde sous-option est "4". |
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|
835 </para></listitem> |
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|
836 <listitem><para> |
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837 L'avant gauche (canal 0) a besoin d'être déplacé vers l'arrière gauche (canl 2): "0:2". |
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838 L'avant gauche a aussi besoin d'être déplacé vers lui-même: "0:0". L'avant droit (canal |
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839 1) est déplacé vers l'arrière droite (canl 3): "1:3", et aussi vers lui- même: "1:1". |
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840 </para></listitem> |
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|
841 </orderedlist> |
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842 Combinez toutes les sous-options pour obtenir: |
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843 |
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844 <screen>mplayer <replaceable>nom_fichier</replaceable> -af channels=4:4:0:2:0:0:1:3:1:1</screen> |
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845 |
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846 </para> |
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847 |
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848 </sect3> |
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849 |
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850 |
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851 <sect3 id="advaudio-channels-mixing"> |
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852 <title>Mixage de canal</title> |
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853 |
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854 <para> |
17202 | 855 Le filtre <option>pan</option> peut mixer les canaux selon des proportions spécifiées |
16878
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856 par l'utilisateur. Ceci tient compte de tout que le filtre de <option>channels</option> |
17202 | 857 peut faire et plus. Malheureusement, les sous-options sont beaucoup plus complexes. |
16878
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858 <orderedlist> |
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859 <listitem><para> |
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860 Décidez avec combien de canaux vous voulez travailler. Vous aurez peut-être besoin |
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861 de spécifier cela avec <option>-channels</option> et/ou <option>-af channels</option>. |
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862 Des exemples plus loin montreront quand et laquelle il faut utiliser. |
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863 </para></listitem> |
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864 <listitem><para> |
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865 Décidez combien de canaux à introduire dans <option>pan</option> (les canaux suplémentaires |
17202 | 866 décodés sont rejetés). Ceci est la première sous-option, et elle contrôle aussi combien de |
16878
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867 canaux à employer pour la sortie. |
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868 </para></listitem> |
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869 <listitem><para> |
17202 | 870 Les sous-options restantes spécifient quelle quantité de chaque canal sont mixés l'un |
871 dans l'autre. Ceci est la partie compliquée. Pour décomposer la tâche, découpez les | |
872 sous-options en plusieurs ensembles, un ensemlbe pour chaque canal de sortie. Chaque sous-option | |
16878
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873 d'un ensemble correspond à un canal d'entrée. Le nombre que vous spécifiez sera le pourcentage |
17202 | 874 de canal d'entrée qui sont mixés dans le canal de sortie. |
16878
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875 </para> |
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|
876 <para> |
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|
877 <option>pan</option> accepte des valeurs de 0 à 512, rendement de 0% à 51200% du volume |
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|
878 original. Faites attention quand en utilisant des valeurs plus grande que 1. Non seulement |
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879 cela peut vous donner un volume tres haut, mais si vous dépassez la marge d'échantillon de |
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880 votre carte son vous pourriez entendre des pops et clics désagréables. Si vous le voulez vous |
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881 pouvez faire suivre <option>pan</option> avec <option>,volume</option> pour activer la coupure, |
17202 | 882 mais c'est mieux de garder les valeurs de <option>pan</option> suffisamment basses pour que la |
16878
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883 coupure ne soit pas nécessaire. |
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|
884 </para></listitem> |
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|
885 </orderedlist> |
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|
886 </para> |
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|
887 |
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|
888 <bridgehead>Exemple: un canal dans deux enceintes</bridgehead> |
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|
889 |
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|
890 <para> |
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891 Voici encore un autre exemple pour jouer le canal gauche dans deux enceintes. Suivez |
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|
892 les étapes ci-dessus: |
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|
893 <orderedlist> |
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|
894 <listitem><para> |
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895 <option>pan</option> devrait sortir deux canaux, donc la première |
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896 sous-option est "2". |
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|
897 </para></listitem> |
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|
898 <listitem><para> |
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899 Puisque nous avons deux canaux d'entrée, il y aura deux ensembles de sous-options. |
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900 Puisqu'il y a également deux canaux de sortie, |
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901 il y aura deux sous-options par ensemble. |
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902 Le canal gauche à partir du fichier devrait aller au volume maxi aux |
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|
903 les nouveaux canaux gauche et droite. |
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904 Ainsi le premier ensemble de sous-options est "1:1". |
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905 Le canal de droite devrait être rejeté, donc le second serait "0:0". |
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906 N'importe quelles valeurs à 0 à la fin peuvent être omises, mais pour une facilité |
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|
907 de compréhension nous les garderons. |
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|
908 </para></listitem> |
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|
909 </orderedlist> |
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|
910 Mettre ces options ensemble donne: |
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|
911 |
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|
912 <screen>mplayer <replaceable>nom_fichier</replaceable> -af pan=2:1:1:0:0</screen> |
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|
913 |
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914 Si le canal de droite est préféré à la place du gauche, les sous-options pour |
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915 <option>pan</option> seront "2:0:0:1:1". |
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|
916 </para> |
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|
917 |
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|
918 |
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|
919 <bridgehead>Exemple: canal de gauche dans deux enceintes raccourci</bridgehead> |
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|
920 |
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|
921 <para> |
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|
922 Comme avec <option>channels</option>, il y a un raccourci qui ne fonctionne que avec le |
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|
923 canal de gauche: |
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|
924 |
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|
925 <screen>mplayer <replaceable>nom_fichier</replaceable> -af pan=1:1</screen> |
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|
926 |
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|
927 Puisque <option>pan</option> a seulement un canal d'entrée (l'autre canal étant |
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|
928 rejeté), il n'y a seulement qu'un ensemble avec une sous-option, qui indique que le |
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|
929 seul canal obtient 100% de lui-même. |
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|
930 </para> |
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|
931 |
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|
932 <bridgehead>Exemple: Mixage (downmixing) PCM 6-canaux</bridgehead> |
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|
933 <para> |
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|
934 Le décodeur de <application>MPlayer</application> pour le PCM 6-canaux |
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|
935 n'est pas capable de le mixer (downmixing). |
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|
936 Voici une façon de mixager (downmixing) PCM en utilisant <option>pan</option>: |
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|
937 <orderedlist> |
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|
938 <listitem><para> |
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|
939 Le nombre de canaux de sortie est 2, donc la première sous-option est "2". |
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|
940 </para></listitem> |
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|
941 <listitem><para> |
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|
942 Avec six canaux d'entrée il y aura six ensembles d'options. Heureusement, |
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|
943 puisque nous nous inquiétons seulement de la sortir des deux premiers canaux, |
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|
944 nous devons seulement faire deux ensembles; les quatres ensembles restants peuvent |
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|
945 être omis. Prenez garde que tous les fichiers audio multi-canaux n'aient le même |
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|
946 ordre de canaux! Cette exemple démontre le mixage (downmixing) d'un fichier avec les |
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|
947 même canaux que l'AC3 5.1: |
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|
948 <programlisting> |
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|
949 0 - avant gauche |
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|
950 1 - avant droit |
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|
951 2 - arrière gauche |
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|
952 3 - arrière droit |
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|
953 4 - avant centre |
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|
954 5 - caisson de basse (subwoofer) |
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|
955 </programlisting> |
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|
956 Le premier ensemble de sous-options liste les pourcentages du volume original, dans |
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|
957 l'ordre, de ce que chaque canal de sortie devrait recevoir du canal gauche avant: "1:0". |
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|
958 Le canal avant droit devrait aller vers la bonne sortie: "0:1". |
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959 De même pour les canaux arrières: "1:0" et "0:1". |
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|
960 Le canal centre va vers les deux canaux de sortie avec moitié de volume: |
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|
961 "0.5:0.5", et le caisson de basse (subwoofer) va vers les deux avec le volume maxi: "1:1". |
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|
962 </para></listitem> |
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|
963 </orderedlist> |
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|
964 Mettez tout ça ensemble, pour: |
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|
965 |
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|
966 <screen>mplayer <replaceable>6-canaux.wav</replaceable> -af pan=2:1:0:0:1:1:0:0:1:0.5:0.5:1:1</screen> |
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|
967 |
17202 | 968 Les pourcentages listés ci-dessus sont seulement un exemple approximatif. Vous êtes libres de les ajuster. |
16878
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|
969 </para> |
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|
970 |
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|
971 <bridgehead>Exemple: Jouer de l'audio 5.1 sur de grosses enceintes sans un caisson de basse (subwoofer)</bridgehead> |
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|
972 |
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|
973 <para> |
17202 | 974 Si vous avez une paire d'enceintes frontales énormes, vous ne voudriez pas |
16878
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|
975 gaspiller de l'argent sur l'achat d'un caisson de basse (subwoofer) pour |
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|
976 un système son 5.1 complet. |
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|
977 Si vous utilisez <option>-channels 5</option> pour demander que liba52 |
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|
978 décode l'audio 5.1 en 5.0, le canal du caisson de basse (subwoofer) est |
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|
979 simplement rejeté. |
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|
980 Si vous voulez distribuer le canal du caisson de basse (subwoofer) vous-même |
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|
981 vous avez besoin de mixer (downmix) manuellement avec <option>pan</option>: |
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|
982 |
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|
983 <orderedlist> |
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|
984 <listitem><para> |
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|
985 Puisque <option>pan</option> a besoin d'examiner chacun des six canaux, spécifiez |
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|
986 <option>-channels 6</option> ainsi liba52 les décode tous. |
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|
987 </para></listitem> |
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|
988 <listitem><para> |
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|
989 <option>pan</option> sort vers seulement cinq canaux, la première sous-option est 5. |
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|
990 </para></listitem> |
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|
991 <listitem><para> |
17202 | 992 Six canaux d'entrées et cinq de sortie signifient six ensembles de cinq sous-options. |
16878
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|
993 <itemizedlist spacing="compact"> |
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|
994 <listitem><simpara> |
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|
995 Le canal avant gauche ne se réplique que vers lui-même: |
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996 "1:0:0:0:0" |
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997 </simpara></listitem> |
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998 <listitem><simpara> |
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999 Pareil pour le canal avant droit: |
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1000 "0:1:0:0:0" |
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1001 </simpara></listitem> |
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1002 <listitem><simpara> |
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1003 Pareil pour le canal arrière gauche: |
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1004 "0:0:1:0:0" |
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1005 </simpara></listitem> |
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1006 <listitem><simpara> |
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1007 et aussi de même pour le canal arrière droit: |
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1008 "0:0:0:1:0" |
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1009 </simpara></listitem> |
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1010 <listitem><simpara> |
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1011 Avant centre, aussi: |
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1012 "0:0:0:0:1" |
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1013 </simpara></listitem> |
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1014 <listitem><simpara> |
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1015 Et maintenant que nous avons décidé quoi faire avec le caisson de basse, |
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1016 e.g. moitié vers l'avant droit et l autre vers l'avant gauche: |
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1017 "0.5:0.5:0:0:0" |
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1018 </simpara></listitem> |
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1019 </itemizedlist> |
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1020 </para></listitem> |
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1021 </orderedlist> |
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1022 Combinez toutes ces options pour obtenir: |
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1023 |
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1024 <screen>mplayer <replaceable>dvd://1</replaceable> -channels 6 -af pan=5:1:0:0:0:0:0:1:0:0:0:0:0:1:0:0:0:0:0:1:0:0:0:0:0:1:0.5:0.5:0:0:0</screen> |
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1025 |
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1026 </para> |
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1027 |
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1028 </sect3> |
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1029 |
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1030 </sect2> |
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1031 |
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1032 |
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1033 <sect2 id="advaudio-volume"> |
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1034 <title>Ajustement Logiciel du Volume</title> |
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1035 |
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1036 <para> |
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1037 Certaines pistes audio sont trop silencieuses pour être entendues confortablement |
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1038 sans amplification. Cela devient un problème quand votre équipement audio ne peut |
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1039 amplifier le signal à votre place. L'option <option>-softvol</option> oblige |
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1040 <application>MPlayer</application> à utiliser un mixeur interne. Vous pouvez alors |
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1041 utiliser les touches d'ajustement du volume (par défaut <keycap>9</keycap> et |
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1042 <keycap>0</keycap>) pour atteindre des niveaux de volume plus important. |
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1043 Notez que cela ne dévie pas votre mixeur de carte son; <application>MPlayer</application> |
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1044 amplifie seulement le signal avant de l'envoyer vers votre carte son. |
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1045 |
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1046 L'exemple suivant est un bien pour débuter: |
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1047 |
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1048 <screen>mplayer <replaceable>quiet-file</replaceable> -softvol -softvol-max 300</screen> |
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1049 |
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1050 L'option <option>-softvol-max</option> spécifie le volume maximum |
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1051 de sortie permis en tant que pourcentage du volume original. |
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1052 Par exemple, <option>-softvol-max 200</option> devra permettre |
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1053 l'ajustement du volume jusqu'à deux fois son niveau d'origine. |
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1054 Il est sûr d'indiquer une valeur importante avec <option>-softvol-max</option>; |
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1055 un volume plus important ne sera utilisé qu'à partir du moment où |
17202 | 1056 les touches d'ajustement du volume sont utilisées. Le seul désavantage |
16878
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1057 d'une valeur large est que, puisque <application>MPlayer</application> ajuste |
17202 | 1058 le volume par un pourcentage du maximum, vous n'aurez pas un contrôle aussi précis |
16878
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1059 en utilisant les touches d'ajustement du volume. Utilisez une valeur plus basse avec |
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1060 <option>-softvol-max</option> et/ou indiquez <option>-volstep 1</option> si vous désirez |
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1061 une précision plus importante. |
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1062 </para> |
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1063 |
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1064 <para> |
17202 | 1065 L'option <option>-softvol</option> fonmctionne en contrôlant le filtre audio |
16878
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1066 <option>volume</option>. Si vous voulez jouer un fichier à un certain volume |
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1067 depuis le début vous pouvez spécifier <option>volume</option> manuellement: |
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1068 |
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1069 <screen>mplayer <replaceable>fichier-tranquil</replaceable> -af volume=10</screen> |
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1070 |
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1071 Cela jouera le fichier avec un gain de 10 décibel. Soyez prudent lors de |
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1072 l'utilisation du filtre <option>volume</option> - vous pourriez facilement |
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1073 abimer votre appareil auditif si vous utilisez un valeur trop grande. |
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1074 Commencez bas et travaillez de façon graduelle vers le haut jusqu'à être à même |
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1075 d'apprécier de combien il est nécessaire d'ajuster le volume. Aussi, si vous |
17202 | 1076 indiquez des valeurs excessivement haute, <option>volume</option> pourra avoir |
16878
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1077 besoin de couper le signal pour éviter d'envoyer vos données de carte son qui |
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1078 sont en dehors de la bande permise; cela résultera en une distorsion de l'audio. |
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1079 </para> |
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1080 |
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1081 </sect2> |
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1082 |
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1083 </sect1> |
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1084 |
10109 | 1085 </chapter> |